There's No Place like Home

hong kong romance

Pairs of best college friends, Shen Jung (Brigitte Lin) and Li Lun-mei (Chelsia Chan); Chen Cheng-hsiung (Chin Han) and Fang Juei (Alan Tam) meet at the tennis courts. Fang Juei likes the ebullient Li Lun-mei, but after hearing the contemplative Cheng-hsiung at a school concert, is smitten by his talents and looks. However, as fate would have it, Cheng-hsiung is after the studious and gentler Shen Jung.

Forbidden Imperial Tales is a Taiwan History movie

This film depicts the conflict between the West and Eastern culture, the Northern and Southern ways of life and the traditional and modern concepts. It consists of six stories.

An early Brigitte Lin Romance.

A comical look at the preparations and anxiety associated with marriage. As a young man searches for his ideal mate, he reflects upon this madness and has second thoughts about matrimony.

Story of a US-educated scientist who returned to China, and suffered during the years of the Cultural Revolution.

Set in Shanghai in the 1940s. Story of a ballroom girl Jolie Chan who falls in love with a student and becomes pregnant, but the student's family force her to have an abortion.

Jointly and respectively directed by King Hu, Lee Hsing, and Pai Ching-Jui, three major Taiwan directors of the 1970s, this film consist of three shorts with the same cast of two actors and one actress, who through reincarnation meet in three different times.

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

Pai Ching-jui traveled to Italy in 1960 and enrolled in the prestigious Centro Sperimentale di Cinematografia in Rome in 1962, becoming the first Chinese student ever admitted to the institution. He graduated in 1963 with an experimental short film, Un Amore (鐘情者痴), which he wrote and directed himself — a playful work staging a "love scene" between an actor and a camera. He remains the first Taiwanese filmmaker to have studied cinema in Italy.

When a rich guy met a poor gal and fell in love, his authoritative father disapproved of their relationship owing to his girlfriend’s complicated family background and a retarded brother. The gal was forced to leave but despite of all obstacles, the guy persevered in his effort to win his right for love…

Chong has been dedicating to run the Hotel Esquire for more than thirty years. Business is booming. However, a double room rented by a newly married couple is said to be haunted. Business thus declines sharply. Chong employs a private detective to look into the matter first, and then a taoist to play exorcism. But nothing has changed. One day, Chong and a tenant see a woman in weird dressing go into the room. They then plot to catch the backstage manipulator of this haunting event.

Classic slapstick comedy set in a Taiwanese apartment building.

Kuai Chi, the conductor of a women’s western music band, alertly keeps her distance from men around her. Nonetheless, she eventually succumbs to the charms of A-lang and falls pregnant; she then breaks off her engagement and embezzles money so she can elope with A-lang. Unfortunately, A-lang fails in everything he does, and Kuai Chi persuades him to move and start a new life. However, A-lang has become addicted to excitement…