Centaur

20s south of Kyrgyzstan. Platoon commander Abysh Isaev arrives at the military garrison. His task, together with the red commander Valentin Ugryumov, is to stop the bloodshed and destruction perpetrated by Shaanazar’s Basmach detachment, and to return the farmers to their homes.

Aktan Abdykalikov's simple, clear-eyed poetry finds an elemental form here. Two twin brothers are walking down the road carrying a pail of water, they fight and come to blows, and a bemused older man intervenes and sets them back on their way. It's that simple and it's that lovely. A graduate of the Art School of Kyrghyzstan, Aktan Abdykalyko (or Abdikalikov) first worked as a set designer for Kirgisfilm. After several well-received documentaries and short films, his first feature-length fiction film, Beshkempir, won several awards including the Silver Leopard at the Locarno Film Festival.

A puzzling fable about human relations inspired by Samuel Beckett (in Kyrgyz, beket means station). At a bus stop amid a snowy winter landscape, people wait. A boy, an adult, and an old man are at first joined by a woman, and then a disruptive drunk.

In a remote Kyrgyz village, Beshkempir, an infant foundling, is taken in by five older women and later adopted by a couple unable to bear children of their own. Fast forward to his early teenage years, a pubescent Beshkempir is faced with all the problems of crushing on girls and courtship, reconciling with friends and dealing with death in the family. Above all he questions his place in the world as an adoptee.

The plot is based on events that took place during the severe drought of the early 1970s at the construction of the Toktogul Hydroelectric Power Station. The commissioning of the station's first phase was complicated by the fact that the water needed to start it was also desperately needed by the parched fields. There were many debates (with both personal and professional ambitions involved), and in the end, the problem was solved purely mathematically—rather than by agricultural engineering: salty water from the Kyrgyz Sea was diverted to the fields, while clean mountain river water was directed to the first turbines.

A river reflects everything without carrying it away. But time — it takes everything away without reflecting anything... A story about teenagers in Kyrgyzstan.

A family of nomads lives in the remote high mountains of Kyrgyzstan...

A woman is led by her family to her new husband's home, to live with, presumably, his elderly mother and younger brother. Despite being forced into the marriage, she discovers that he is not such a bad catch after all but domestic bliss does not last long.

The craft of carpet weaving in Kyrgyzstan boasts a long and legendary history, and is an integral part of local life. Turdugul, known as the most skilled carpet weaver in the valleys, spent years practising this craft in solitude. That was until Kadyr the horse herder entered her life, sparking a long-overdue romance that ultimately ended in a wordless farewell – leaving only an unfinished carpet behind. Years later, when the black, red and yellow patterned carpet was unfurled at his funeral, memories slowly unfolded in her heart like woven threads.

The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the binding bridge between the geopolitical problems of post-soviet space and the common people. The economic devastation of the country had an enormous impact on the industrial workers and yet despite the upheaval, these people did not seize to love and suffer, to have and be friends and to enjoy their lives. In particular our resilient electrician, who possesses a wonderful and open heart. He not only brings electric light (which is often out) to the lives of the inhabitants of this small city, but he also spreads the light of love, loyalty, life and mainly laughter.

The second film by Kyrgyzstani director Aktan Arym Kubat (then credited by his Russian name Aktan Abdykalykov), it is the first of his autobiographical Kurak ("Quilt") Trilogy, followed by Beshkempir (The Adopted Son, 1998) and The Chimp (2001). Идиллия детства, радости, игры разрушается с возвращением в маленькое горное село моряка. В прекрасный мир девушки, мальчика и юродивого врывается великолепная морская форма с клешами и бескозыркой, и волшебная морская ракушка - источник всех их будущих бед.

The Chimp is the nickname of a teenage boy (with large ears) who lives in the small town of Balyktchy, Kirghizstan, a former part of the USSR in central Asia. His family is being torn apart by his dad's alcoholism, his emotions are being torn as he sees his friends pair off into couples, and his job working on the railtracks is uninspiring.

The fate of stray dogs of town, who wander around seeking their puppies. There are different types of dogs: those who win at contests, those working for police, circus dogs, those at dogfights. In contrast with the above privileged creatures, the future of strays is probably gloomy, sooner or later they end up under the wheels of a car or with the dogcatcher.

Serikpai and Amir grow up without a father, who once went to work in Russia, but never returned. They are waiting for him and hoping. Waiting for her husband and wife Polina. She remembers the short happiness of her former life. She tries to resist the current life, but it is given to her at too high a price…

An amnesiac old man Zarlyk who after twenty-three years of ordeal in a foreign land, returns to his homeland. Events take place in a village in Kyrgyzstan, where he is brought by his matured son Kubat. Much has changed during his absence: the morals of the villagers, mired in the realities of a changing world, radicalization of Islam, growing crime, and moral corrosive corruption began to consume... Zarlyk’s wife Umsunai, having lost hope of his return, went into religion, married the local authority Jaichy. The bright past invades the already accustomed Umsunai’s life. But nothing touches Zarlyk. An inexplicable passion for collecting garbage replaced him everything. Will the memory return to him and will Umsunai gain lost happiness when they are pressed by tight attitudes and immorality of the clergy, when love has eclipsed recklessness?

In this animated film inspired by Kyrgyz fairy-tales, a skylark helps people solve their problems.