The Tender Age

Adapted from a popular 'three dime novel' the story revolves around two down-and-out buddies, one streetwise and quick-witted the other naïve and kind-hearted. This oddball duo go through up and downs and eventually get their break in life.

A Chinese screen opera

A 10-year-old Bruce Lee stars as Kid Cheung, an orphan boy who sells comics in a little stall in the slums to survive. He and his two siblings are looked after by his Uncle Ho, a teacher. When the wealthy Hung Pak-ho surveys the slums to build a school for orphans, he is robbed by the vicious Blade Lee and his gang. Cheung helps Blade Lee escape and earns his friendship, but Uncle Ho convinces him to return the gold necklace Lee stole. Hung rewards Ho by hiring him as his private secretary.

A Hong Kong drama

Morris the Tailor seeks to get even with Gilbert, Earl of Chen who has stolen a set of expensive clothes from him. Morris bumps into Princess Jenna and the two fall in love at first sight. But the king voices his opposition since Morris is from the grassroots. Gilbert suggests that Jenna's aunt adopts him as her foster son. In a split second, Morris is elevated to a royal and becomes the king's son-in-law.

Tso Kea was adroit in adapting film and literary classics from the West, organically transplanting stories and characters onto Chinese soil and nurturing them to glorious fruition. Love Lingers On is based on the gothic novel Wuthering Heights and Tso shepherds Emily Brontë's tale of profound passion, thwarted love and bitter vengefulness with a perfect balance of broad narrative strokes and delicate orchestration of mise-enscene. He wisely concentrates on the lead characters' simmering mental troubles, greatly enhanced by stars Cheung Ying and Mui Yee, who overcome glaring age differences with their characters to bring life to this saga of vivid emotions.

Centered around the seizure of a family's property, police investigate a series of knife murders.

After inheriting his father's estate, Cheung Ka-bo leads a life of debauchery after getting know Blackie Yuen, who profits at others' expense, and Yee-Wah, who working at a night club. As the family wealth diminishes, he always squabbles with his wife and finally separates from her. She returns a diamond bracelet, kept by Uncle Chan, to her mother-in-law. Bo's mother hides the bracelet in a chair. Later, Wah resides at Bo's home. To flatter Wah, Bo wants to get the bracelet by any means from his mother and give it to Wah. Later, Bo's mother falls ill. In the hospital, she tells Bo of the bracelet's whereabouts but the chair has already been sold to Uncle Chan by Wah. Bo, Wah and Yuen stealthily enter Chan's home to get the chair, but have a big fight when they try to take the bracelet. Knowing that Bo has huge debts, Wah intends to leave him after getting the bracelet. Wah exposes her gluttonous self in her pursuit of the treasure. Bo learns his lesson and returns to his wife.

Based on a short story found in Strange Tales from a Chinese Studio by Pu Songling (1640–1715)

Comedy from Hong Kong directed by Cho Kei.

Zhou Tianming and Siu Zhenbang and Siu Huixian were originally close friends , but Zhenbang and their father Xiao Bailing took advantage of the danger and swallowed up the Zhou family's property when the Zhou family's business was in difficulty. Tianming snubbed his girlfriend Zhu Shuzhuang because of the great changes in his family and his dedicated career, and at this time Zhenbang actually developed a relationship with Shuzhuang and proposed to her, and Tianming hated the Xiao family even more. Later, Zhou's father had a heart attack after a conflict with Bai Ling, and eventually died, and Tianming did not hesitate to use Huixian to marry her in order to take revenge. After marriage, Tianming gradually encroached on the Xiao family's business, trying to restore the Zhou family's industry and revive the Zhou family's prestige, but because it became more and more crooked, it eventually caused an irreparable situation.