Mui Yee

Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.

During the anti-Japanese war, truck driver Lee Sing's secret mission is to transport weapons and supplies for the resistance fighters. Sing has to deliver a signal gun to guerrillas at ten on that night for launching an attack against the Japanese soldiers. He works for the Ko's family and he has to send the gun to the provincial city to prevent it from being bombed. Sing carries on his vehicle a group of passengers including a Chinese traitor, a guerilla, a compassionate nurse, a comfort woman on the run, a teacher and his pregnant wife. Sing is given a hard time by the Japanese troops on the road. The Japanese ransack the vehicle and they find the signal gun. All the males on board are being interrogated with torture, but the passengers pool their efforts to subdue the traitor and accomplish their mission.

Rascal To Chai-yan brings a false charge of selling fake medicine against doctor Fan Tin-sang, who is sentented to a twenty-year imprisonment. Fan makes an escape after a decade, and secretly provides for the education of his son Fuk-kwan brought up by a poor blacksmith. Fuk-kwan grows up to be a doctor practising in the country. To again does harm to Fuk-kwan, only this time Fan intervenes. Both he and To die in the fight.

This tale of familial warfare and sacrifice takes place in hard-pressed Shanghai at the end of the 1940s. Hu Zhiqing can barely support his wife and children, and his situation is worsened by the unexpected arrival of his mother, brother and sister-in-law. When he is fired by his unscrupulous boss, the whole family becomes embroiled in one emotional/economic struggle after another.

The first Hong Kong produced film to feature an all-female cast of 36 actresses. The ambitious project follows its 36 female characters, all of whom occupy different social positions to highlight the harsh reality of living as a woman in a modern society.

Yeung and Kwok are best friends whose wives become pregnant around the same time. Yeung's wife, Pao Sik-yeuk, finds a wounded man hidden in the barn and secretly helps him. He turns out to be a foreign Prince and disaster follows. The sons are then scattered with one growing up in the Prince's kingdom and the other in Mongolia. Now grown, they go out into the world and discover the secret details of their lives.

A delicious comedy from Union Film, Money, traces the journey of a bag of cash from a bank robbery. The humour switches between the witty and the absurd, offering a biting examination of human nature when men and women are confronted with the chance of unearned wealth.

This early leftist social drama from Hong Kong offers a panoramic portrait of a crumbling apartment complex and its down-and-out denizens, including a taxi driver, an unemployed teacher, a professional reduced to selling his blood and, of course, a venal landlord. In addition to establishing an omnipresent theme in Hong Kong cinema – the plight of the urban poor – the film is also a prime example of the popular melodramas of the time, which featured displaced Mainland film stars.

13-year old Bruce Lee plays San, a child up for adoption. Finally accepted by his surrogate parents, he is faced with a dilemma when his real parents show up and want him back.

A fantasy film with an appearance from Huang Fei-hong

A Chinese musical fantasy.

Though her marriage with rich businessman Chan Hak-lit is crumbling, Anna Poon refuses to accept her childhood sweetheart Wong Kei-shu's courtship. Anna's younger sister Mei-na has a crush on Shu and treats Lee Man coldly. When she sees Anna being with Shu, she taunts Anna with stealing who she likes. Anna is hurt and goes back to Chan's house. Chan holds a house party and invites business celebrities. Shu attends it and when tells Anna he loves her when they dance. Anna rejects him and tells him never to see her again. Chan goes to the racecourse. When Shu falls down from a horse, Anna faints. Chan asks Anna what her relationship with Shu is. He warns her not to have any wrongdoing and ruin his reputation. Shu is fine and asks Anna to meet for the last time. Anna cannot turn down him and goes to meets him. Lit miscomprehends the situation and files a divorce. He even forbids Anna to see their daughter. A distressed Anna becomes a victim of love in a conservative society.

Tso Kea was adroit in adapting film and literary classics from the West, organically transplanting stories and characters onto Chinese soil and nurturing them to glorious fruition. Love Lingers On is based on the gothic novel Wuthering Heights and Tso shepherds Emily Brontë's tale of profound passion, thwarted love and bitter vengefulness with a perfect balance of broad narrative strokes and delicate orchestration of mise-enscene. He wisely concentrates on the lead characters' simmering mental troubles, greatly enhanced by stars Cheung Ying and Mui Yee, who overcome glaring age differences with their characters to bring life to this saga of vivid emotions.

"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.

Han Xiangying temporarily resides at her classmate Fan Daini's resplendent mansion. Mrs Fan eggs her on to attend a party at which she is raped by a rich businessman. It turns out that Mrs Fan is in fact a procuress exerting control over her three daughters of the ruined family. Han manages to escape the clutches of Mrs Fan with the assistance of the honest young man Gong Liqun.

After inheriting his father's estate, Cheung Ka-bo leads a life of debauchery after getting know Blackie Yuen, who profits at others' expense, and Yee-Wah, who working at a night club. As the family wealth diminishes, he always squabbles with his wife and finally separates from her. She returns a diamond bracelet, kept by Uncle Chan, to her mother-in-law. Bo's mother hides the bracelet in a chair. Later, Wah resides at Bo's home. To flatter Wah, Bo wants to get the bracelet by any means from his mother and give it to Wah. Later, Bo's mother falls ill. In the hospital, she tells Bo of the bracelet's whereabouts but the chair has already been sold to Uncle Chan by Wah. Bo, Wah and Yuen stealthily enter Chan's home to get the chair, but have a big fight when they try to take the bracelet. Knowing that Bo has huge debts, Wah intends to leave him after getting the bracelet. Wah exposes her gluttonous self in her pursuit of the treasure. Bo learns his lesson and returns to his wife.

Morris the Tailor seeks to get even with Gilbert, Earl of Chen who has stolen a set of expensive clothes from him. Morris bumps into Princess Jenna and the two fall in love at first sight. But the king voices his opposition since Morris is from the grassroots. Gilbert suggests that Jenna's aunt adopts him as her foster son. In a split second, Morris is elevated to a royal and becomes the king's son-in-law.