Doctor Who: The Edge of Destruction

Six Days of Justice is a British television drama anthology series of single plays created by Thames Television and shown on ITV from 1972 to 1975, over four seasons of six episodes apiece.

Featuring dramatised versions of true stories that shocked mainstream Victorian society.

Adaptation of the Mallen series of novels by Catherine Cookson.

A religious drama series in which a Scots minister, following his wife's death, questions the purpose of his local ministry but finds it in his spiritual work for the community.

The adventures of The Doctor, a time-traveling humanoid alien known as a Time Lord. He explores the universe in his TARDIS, a sentient time-traveling spaceship. Its exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. Along with a succession of companions, The Doctor faces a variety of foes while working to save civilizations, help ordinary people, and right many wrongs.

The trials and misadventures of the staff at a country veterinary office in Yorkshire. James Herriot, a young animal surgeon, moves to a small Yorkshire town to begin his first job.

This historical mini-series documents the reign of Elizabeth I with each episode focusing on one dramatic period in the lengthy reign of the Virgin Queen, including her ascension to the throne, her various marital intrigues, her problems with her cousin Mary, Queen of Scots, and the threatened invasion of the Spanish Armada.

Moody and Pegg was a bittersweet British comedy-drama, produced by Thames Television for ITV between 1974 and 1975. Derek Waring and Judy Cornwell starred in this series that accented comedy but also had moments of drama. Waring played Roland Moody, a newly divorced 42-year-old junk/antique dealer greatly anticipating freedom from matrimonial ties. Cornwell was cast as Daphne Pegg, plain spinster and dedicated civil servant in her early thirties who leaves her home in Bolton after realising that her office boss will never agree to marry her. She heads for London and a clean break, but, owing to a rogue estate agent's dealings, finds that a man - Moody - also has a valid lease arrangement for the property she acquires. Unable to work out who is the squatter, they agree to be feuding partners and share, forging a very uncomfortable situation that is exacerbated by Moody's prodigious line of visiting girlfriends. With hilarious consequences. Eventually, Moody loses in a winner-takes-all poker game and leaves, only to return in the second series. The title theme is The Free Life by prolific library music composer Alan Parker.

The TARDIS brings the Doctor, Susan, Barbara, and Ian to the planet Skaro where they meet two indigenous races — the Daleks, malicious mutant creatures encased in armoured travel machines, and the Thals, beautiful humanoids with pacifist principles. They convince the Thals of the need to fight for their own survival.

The TARDIS arrives in a desolate future London, where the Doctor discovers his old enemies the Daleks have taken control of Earth.

Anthology series of dramatic works.

A one-hour anthology television series of one-off contemporary and classic dramas produced by the BBC.

Anthology series of half hour plays produced in BBC's Television Centre's studios.

A short-lived horror anthology broadcast in the United Kingdom weekly from 11 April until 16 May 1968 on BBC Two. However, following viewer complaints of its unsuitability, it was pulled, with four of six episodes believed lost (the third episode resurfaced as a 16mm black-and-white film telerecording in 2016, and the first in 2026).

A Family at War is a British drama series created by John Finch and produced by Granada Television for ITV. It broadcast from 14 April 1970 to 16 February 1972. 52 episodes were made, all but eight in colour. Episodes numbers 25 to 32 were recorded in black and white because of the ITV Colour Strike (November 1970 — February 1971). The Ashton family struggles to deal with the harsh realities of the Second World War as their sons are sent away to fight. Those who remain at home in Liverpool live in constant fear of a knock on the door with a telegram from the War Office or the Luftwaffe bombs overhead as they sleep at night.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".