Richard Martin

The very first crew of the TARDIS land in a petrified forest on an alien planet. Determined to explore, the Doctor leads his companions into the metal city, where they discover danger at every corner and what will become his deadliest enemy... the mutant Daleks. It's time to encounter the Daleks once again, but this time in a way you've never seen them before. Originally transmitted in December 1963 to February 1964, the seven original episodes of the first Dalek story have received a cosmic makeover, dazzlingly colourised and woven together into a 75-minute blockbuster with brand-new sound and a brand-new score created by Mark Ayres. The Daleks has been gloriously updated, whilst ensuring the original story remains as thrilling as it was in 1963.

On the planet Vortis, the Doctor and his companions aid the butterfly-like Menoptra in their battle against the parasitic Animus and its mind-controlled minions, the ant-like Zarbi.

Harvey Whitlow has been back from World War I for a year, and he's been having a hard time making a go of it. Keith Drinkell, as the peddler of farm products (called a "higgler" in England), is married to Jane Carr in a one-hour drama, "The Higgler," on the Masterpiece Theater.

The Doctor and his companions are pursued through time and space by the Daleks on the desert planet Aridius and beyond.

The TARDIS brings the Doctor, Susan, Barbara, and Ian to the planet Skaro where they meet two indigenous races — the Daleks, malicious mutant creatures encased in armoured travel machines, and the Thals, beautiful humanoids with pacifist principles. They convince the Thals of the need to fight for their own survival.

Lady Sannox is one of the most beautiful and richest women in London. She becomes a mistress of Douglas Stone, an eminent surgeon. Her husband Lord Sannox watches this affair and seeks his swift revenge.

The TARDIS arrives in a desolate future London, where the Doctor discovers his old enemies the Daleks have taken control of Earth.

When Henry James Prince is dismissed from his post as a curate, he decides to found his own religion, called the Abode of Love.

Bradford. Journalist Tristan Hanley, up from the south, is told by his paper's proprietor to get the story on a missing girl. His trail leads through the undergrowth of the city....

In this completely TARDIS-based story, the crew find themselves and their ship acting very strangely indeed. Blame runs high for the Ship's unusual behavior, until the Doctor realizes the TARDIS itself may be trying to warn them...

The adventures of The Doctor, a time-traveling humanoid alien known as a Time Lord. He explores the universe in his TARDIS, a sentient time-traveling spaceship. Its exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. Along with a succession of companions, The Doctor faces a variety of foes while working to save civilizations, help ordinary people, and right many wrongs.

Crown Court is an afternoon television courtroom drama produced by Granada Television for the ITV network that ran from 1972, when the Crown Court system replaced Assize courts and Quarter sessions in the legal system of England and Wales, to 1984.

An anthology of short plays shown on BBC Television between 1965 and 1973, used in part at least as a training ground for new writers, on account of its short length, and which therefore attracted many writers who later became well known.

A one-hour anthology television series of one-off contemporary and classic dramas produced by the BBC.

Compact was a British television soap opera shown by the BBC between 1962 and 1965. The series was created by Hazel Adair and Peter Ling, who together went on to devise Crossroads. In contrast to the kitchen sink realism of Coronation Street, Compact was a distinctly middle-class serial, set in the more "sophisticated" arena of magazine publishing. An early "avarice" soap, it took the viewer into the business workplace, and aligned the professional lives of the characters with more personal storylines. The show was scheduled for broadcast on Tuesdays and Thursdays, thus avoiding a clash with ITV's Coronation Street on Mondays and Wednesdays. When Compact began, the editor was a woman, Joanne Minster, yet it was not long before she was replaced by Ian Harmon, the son of the magazine's owner. Despite being largely criticised by reviewers, Compact was popular with the general public, and in 1964 a regular omnibus edition was introduced, broadcast on Sundays. Morris Barry, a some-time actor and BBC director – he directed several Doctor Who stories in the 1960s – took over as producer and was given a brief to spice the series up in view of the criticism it had received from the national press. But the BBC, never comfortable with the concept of soap opera, quietly dropped the series in 1965.

Anthology series of dramatic works.

The trials and misadventures of the staff at a country veterinary office in Yorkshire. James Herriot, a young animal surgeon, moves to a small Yorkshire town to begin his first job.

Anthology series of half hour plays produced in BBC's Television Centre's studios.

Churchill's People is a British anthology series based on A History of the English-Speaking Peoples, Winston Churchill's four-volume history of Britain and its former colonies. 26 episodes were produced by the BBC and initially broadcast from 30 December 1974 to 23 June 1975.

Anthology series telling suspenseful tales.

This historical mini-series documents the reign of Elizabeth I with each episode focusing on one dramatic period in the lengthy reign of the Virgin Queen, including her ascension to the throne, her various marital intrigues, her problems with her cousin Mary, Queen of Scots, and the threatened invasion of the Spanish Armada.

A Family at War is a British drama series created by John Finch and produced by Granada Television for ITV. It broadcast from 14 April 1970 to 16 February 1972. 52 episodes were made, all but eight in colour. Episodes numbers 25 to 32 were recorded in black and white because of the ITV Colour Strike (November 1970 — February 1971). The Ashton family struggles to deal with the harsh realities of the Second World War as their sons are sent away to fight. Those who remain at home in Liverpool live in constant fear of a knock on the door with a telegram from the War Office or the Luftwaffe bombs overhead as they sleep at night.

Sir Arthur Conan Doyle's non-Sherlock Holmes stories embodying the author's interest in boxing, the supernatural, and medical matters.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".

An anthology series adapted from plays and short stories by A.E Coppard and H.E. Bates, depicting English country life and rural romance at the turn of the 20th-century. It presents unsentimental stories of human relationships and raw emotions – heartfelt passions, crippling frustrations, unspoken love and destructive jealousy.

Roland Moody is a newly divorced 42-year-old junk/antique dealer greatly anticipating freedom from matrimonial ties. Daphne Pegg, plain spinster and dedicated civil servant in her early thirties, leaves her home in Bolton after realising that her office boss will never agree to marry her. She heads for London and a clean break, but, owing to a rogue estate agent's dealings, finds that a man - Moody - also has a valid lease arrangement for the property she acquires. Unable to work out who is the squatter, they agree to be feuding partners and share, forging a very uncomfortable situation that is exacerbated by Moody's prodigious line of visiting girlfriends. With hilarious consequences.

A short-lived horror anthology broadcast in the United Kingdom weekly from 11 April until 16 May 1968 on BBC Two. However, following viewer complaints of its unsuitability, it was pulled, with four of six episodes believed lost (the third episode resurfaced as a 16mm black-and-white film telerecording in 2016, and the first in 2026).

Featuring dramatised versions of true stories that shocked mainstream Victorian society.

Six Days of Justice is a British television drama anthology series of single plays created by Thames Television and shown on ITV from 1972 to 1975, over four seasons of six episodes apiece.

The Mallens is a British television drama based on four Catherine Cookson novels, The Mallen Streak, The Mallen Girls, The Mallen Secret, and The Mallen Curse. Produced by Granada Television for ITV1, it ran for thirteen episodes from 10 June 1979 to 3 July 1980. A ruthless 19th-century Northumberland squire, Thomas Mallen of High Banks Hall, has a genetic white streak (poliosis) in his hair and fathers numerous illegitimate children, all of whom inherit the white streak and live disastrous lives.

Malice Aforethought is a four-part 1979 BBC Two miniseries by Philip Mackie, adapted from Anthony Berkeley Cox's (pen name Francis Iles) 1931 noir novel of the same name. For ten years, Julia Bickleigh has despised and bullied her husband. For ten years Dr Bickleigh has dreamed of romance ... and escape.

A religious drama series in which a Scots minister, following his wife's death, questions the purpose of his local ministry but finds it in his spiritual work for the community.

The Inside Man, produced by Derek Granger and David Cunliffe, offers more of a reimagining than a direct replacement of its predecessor's concept. The series features Frederick Jaeger as Dr. James Austen, a psychiatrist and criminologist who alternates between working for Basil Henson's character, Dawnay, from "the Department," and taking on cases from private clients. Petra Davies plays Sarah Worth, Austen's dependable 'girl Friday.' In the third episode, *Crosscheck*, Robin Ellis joins the cast as Michael Barnett, a spy whom the Department insists Austen should approve. However, every detail about Barnett is an obvious fabrication, adding layers of intrigue to the storyline.