Historia del 900

In seventeenth century's Chile a woman kills her lover because she wants to conquer a priest.

The story of Santos Pérez, the man who murdered caudillo Facundo Quiroga in 1835.

A cabaret in Buenos Aires on Christmas night.

A woman feels abandoned by her husband and children.

During the second half of the 19th century, a young survivor is saved in the Argentine pampas by a man she ends up marrying.

After a period of sorrow, Fernando de Arellano, a rich businessman who has recently lost his young wife Blanca from a serious ilness, meets Mónica, who looks identical to her.

A criminal confronts the police by firing at them with a machine gun from the first floor of a villa on the outskirts of Buenos Aires and occasionally shooting down a policeman. The gunman has time to reflect, to load his gun, to run from one window to the other. Whoever leads the police notices the futility of his efforts and suspends the fire.

The Peralta brothers work in the countryside the Alto Paraná. There they will meet subhuman working conditions. Finally, the workers rise and harshly punish their exploiters.

Accidental meeting between a pop-music superstar and a politician's daughter turns into a big romance... but class distinctions, and scandal in the family.

After losing all his fortune, a man assumes his poverty with dignity, confidence and effort. He faces all adversities and his nobility and perseverance make him succeed and be happy with the woman he loves.

Group of tango musicians picks up an aspiring young chanteuse at one of their whistle stop engagements; film focuses on their collective path to stardom, romantic conflicts between the woman and two guys in the band and some peripheral crime-drama stuff.

Peter Ward is a black singer who arrives to Madrid in 1907. He falls in love with Emma, and he offers her to be her dancer. She is restrained by her racial prejudices which will lead to an inevitable separation between them.

A single mother who is denied work to support the son she had with the aristocrat who had seduced her, is helped by a singer, a director of orchestra and an American female singer, who get her shelter in the humble pension where they live.

The lives, loves and vicissitudes of a group of circus performers in the Argentine Pampas around the turn of the century are played out in this drama with songs.

Three Argentines who live in Paris and dream of returning to Buenos Aires but lack resources for the passage, find their opportunity when a landowner, a business man and his daughter arrive in Paris. In a game of rigged poker the three anchors obtain the money for the passages from the newcomers; it happens however that the employer has made an embezzlement and will go to jail if he does not return the money. The character represented by Parravicini, who is the true father of his adopted daughter, gives him the money won to solve his problem and the three remain in Paris to see them in an end with the best poetry of Romero crossing a bridge under the mist , silent, once again anchored but with the happy sadness of recovered self-esteem.