Mädchen im Vorzimmer

Drama in a small German water town where various characters clash against a backdrop of money, gambling and love.

A young woman working as a secretary for a Berlin car business tries to impress a rich Australian visitor by pretending she is a foreign countess.

An aging prostitute develops a motherly affection for a kind young man, but her pimp does not approve.

A gambling-drama based on Dostoevsky’s works: The retired General Kirileff is addicted to gambling and also has a costly affair. He takes out a loan from the greedy imposter Vincent, for which he is to pay an exorbitant interest rate. Vincent, for his part, wants to get closer to Kirileff’s daughter Nina, who is to inherit her grandmother’s fortune one day. Nina tries to help her father and goes to the gambling tables, only to lose a lot of money. She asks Alexej, her father’s secretary, to play for her. Alexej is in love with Nina and would do anything for her. He plays; at first loses; then asks Nina to get Vincent out of there. Once that happens, he wins a large amount of money, becomes overbearing and treats Nina like a prostitute.

A young reckless womaniser is trapped one night at his club into a bet with a Mexican that he will win his wife before morning. There will be a duel in any case: if he loses his bet the Mexican will fire first.

Alois, Wendelin, Schani and Franz operate an auto repair shop in Vienna. One evening, Alois fishes the suicidal Hannerl out of the Danube and takes her to live with him. The timid and taciturn woman soon disappears however, and with her, a large amount of cash out of the shop's cash register. A disappointed Alois wishes to forget about her, but his three friends look for Hannerl and the money. As it turns out, she's married to the smuggler Kerrylis, who forces her to take part in his business; that's why she tried to kill herself. When Kerrylis is found dead, Alois is suspected of being the murderer.

Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig from the rear building gives the newly-arrived Frau Kaminski, the janitor's wife, a lively initiation into the tenants and their peculiarities.

When a suspicious man bribes Emil with chocolate in return for a bundle of cash, the young lad thinks of a plan to catch him.

Wolf Noltenius is a real globetrotter. Early on, this talented young man travelled far and wide, where he earned fame as a construction planner. He moved to Brazil; but one day, homesickness got the best of him. He spontaneously travelled back to his hometown to visit his brother Werner and his family. Wolf and Werner, who both went into the same profession, couldn't be any more different: the one is worldly and an experienced man-about-town; the other a small bourgeois.

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.