Windflowers

Windflowers

1968 · 64 min · ★ 10.0 · Drama

Arthouse portraiture of a disestablishmentarian during his six-year draft dodge.

Directed by Adolfas Mekas · Written by Adolfas Mekas

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An Adolfas Mekas directed short parodying Italian art films of the time. It was created for use in a scene of the Broadway musical, "Skyscraper," starring Julie Harris and Peter Marshall, with a book by Peter Stone, music by Jimmy Van Heusen and lyrics by Sammy Cahn.
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Caldwell's pulp storytelling, proto-feminist stance and unabashed social dramatization of his characters are a distinct vision of the condition of women -- specifically working class women. His broadly drawn themes of small town hypocrisy and restrictive moral values contextualize the titular characters' struggle for sexual expression, stability and independence. Certain Women is a disconcerting parable that pays tribute to but also defies the 50s period style of Caldwell, opting for contemporary small town situations and cinematic style. This cautionary tale of four heroic yet ordinary women is fashioned out of the past but relies on observations of the present historical moment and its political reality.
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Barbara, a young woman consumed by despair, contemplates suicide, while a man she meets in a church and a married couple struggle to persuade her that life is still worth living. Mekas’s film weaves this intimate drama into a larger reflection on alienation, politics, and the turbulence of early 1960s America.
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Jonas Mekas’s film captures The Living Theatre’s stage production of The Brig, an unflinching portrait of life inside a U.S. Marine Corps jail in Japan in 1957. Over the course of a single day, prisoners endure relentless drills, abuse, and dehumanization, exposing the brutality of military discipline with stark immediacy.
Hallelujah the HillsHallelujah the Hills · 1963
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Jack and Leo vie for the affections of Vera – who appears a little differently to each man – over the course of a series of energetic sketches, flashbacks and homages.
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Jonas Mekas zoomed in from a completely different angle for his Time & Fortune Vietnam Newsreel. This fake interview with ‘Lapland’s Minister of Foreign Affairs’ brings an outsider’s perspective to bear on the US war, and discusses with ironic perplexity if it might not be possible to kill off the Viet Cong more cheaply. For, whilst white students in the US primarily took issue with the war in South-eastern Asia, African-Americans remained predominantly concerned with their own situation. For them, daily discrimination at home and the Vietnam War were simply two faces of the same racist coin
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Adolfas starred in, directed, and edited this Vietnam comedy, produced by Pola Chapelle and shot by Jonas Mekas.

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