Adiós, querida mamá

The story of a music band from the sixties who wants to succeed in music in the style of Richard Lester films. There are two parallel plots: one is the love story between the singer Juan Erasmo 'Mochi' and Elena, a middle-class girl who has studied in Madrid and moved to Paris to work and to learn French. The other half of the film corresponds to 'Micky y Los Tonys', and especially to the wild Micky.

This biopic tells how the pop-rock group Hombres G was formed amidst rivalries, pranks and love affairs, with the musicians themselves as the protagonists.

A quinceañera pretends to fall in love with David, the singer of the popular group Men G, and chases him to Acapulco. One night, she undresses and pounces on him, while a friend of her makes a few compromising photographs. The publication of these photos in a magazine leads David to pay a large sum and one year in prison, but the rest of the group discovers that Sonia and her friend are going to defraud actor Toni Canto and decide to prepare a trap for them

Guillermo, who is twelve years old, is in love with Margarita, a girl who is a year older than him and who prefers to date more mature boys. Valentín and Josefa, who are in their seventies, dream of escaping together from the retirement home where they live so they can get married.

A race-car driver who's down on her luck is invited by her ex-husband's wife to stay at their plush villa. The two women form a bond, and it's not long before their mutual dislike for the husband culminates into a plan to kill him. As it turns out, though, they're not alone in plotting murder.

A humorous visit to the turbulent world of the controversial Spanish boxer José Manuel Urtain.

A posthumous 1992 reconstruction of Orson Welles’s long-unfinished Don Quixote project, edited by Jesús Franco from footage shot between 1957 and 1972, following Don Quixote and Sancho Panza as they wander modern Spain in pursuit of chivalric ideals. (Note: This version represents a later editorial assembly, not a film completed by Welles.)

A hunchback working in a morgue falls in love with a sick woman. He goes berserk when she dies and seeks help from a scientist to bring her back from the dead.

A group of travelers, stranded at an isolated, fog-bound mansion, are beset upon by the living dead from the adjoining cemetery.

Rocio and Raphael are a young couple from a small Spanish town. Rocio must mourn the death of a relative for six months and is forbidden to see Raphael. Very much in love, they are frustrated by the old-fashioned customs of their village. When they can finally see each other, the two plan to soon marry. Unfortunately, the girl's grandfather dies and she must start the process of mourning all over again. This time Raphael begs her to rebel against her family and the villagers, but she refuses for fear of persecution. When Rocio has had enough of putting her own happiness aside, she decides to run away with Raphael in spite of what her family will say. Things do not go as planned, however, when yet another family member passes away.

A man falls in love with his friend's wife and plots the different ways to get rid of his current wife and also his friend so he can have his new found love all to himself.

An axe murderer terrorizes a small Northern California mountain community, while two young computer-obsessed adults attempt to solve the killings.

Four women spending the night in a deserted sanitarium on a mountain fall into the hands of an evil doctor with a terrible secret.

A New York executive is handcuffed to a precious briefcase to which only his Spanish contact holds the key and of which many others are in hot pursuit.

On an island somewhere in the Caribbean a professor is experimenting with mankind. Meanwhile, The Red Lips are moonlighting on a striptease world tour, but as soon as they hit the stage, the girls are up to their pasties in stiffs, Satanists and Sapphic sadists, all after the professor's secret formula for human clones!