Alexandria… Why?

After we last see him in "Alexandria, Why?" Egyptian filmmaker Yehia Mourad is in his thirties, and successful in his work, he has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities and forces that have made Yehia (and Youssef Chahine) the man he has become.

Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.

An enthralling look at the relationship between America and the Arab World from an Arab perspective. It tells the story of Yehia, a renowned Egyptian filmmaker whose life has been shaped by a pair of disrupted love affairs, one with an American woman named Ginger, the other with America itself.

Set in 1933, the mayor informs the peasants that the share of irrigation of their land will be split equally between them and feudal lord Mahmoud Bey. The peasants send Mohamed Effendi to submit a petition to the government. Mahmoud Bey then proposes a project that would require taking part of the peasants' lands.

Shousha El-Sakka, fears death because it took his wife. He meets with Shehata, and later knows that he is an undertaker assistant and he becomes pessimistic of him ,but when Shehata dies, Shousha is saddened by his passing.

Navy officer Wahid arrives in a military hospital, with a kidney failure, his days are numbered. The inmates try to cheer him up , while his nurse gets closer to him, and soon kindness turns to love.

Qinawi, a physically challenged peddler who makes his living selling newspapers in the central Cairo train station, is obsessed with Hanuma, an attractive young woman who sells drinks. While she jokes with him about a possible relationship, she is actually in love with Abu Siri, a strong and respected porter at the station who is struggling to unionize his fellow workers to combat their boss' exploitative and abusive treatment.

When a free-spirited sailor is found murdered, his twin brother, a famous novelist, is the prime suspect. Investigators uncover a possible liaison between the dead sailor and the writer's wife, and also learn that Sayed's successful fictions owed much to the inspiration of his brother Mahmoud's adventurous life. Just as the evidence against the writer seems overwhelming, Mahmoud turns up alive. But why are the twins never seen together...?

Hemaidah is a Farmer who hates country life. He hates working in fields and taking care of the animals in his farm. Though unsatisfied with her, he marries Zebeidah, a woman in the same village.

The first Sultan of Egypt and Syria leads the Muslim military campaign against the invading Christians from Europe during the Third Crusade.

A wealthy landlord floods and destroys a village on purpose to prevent the people living there from making a profit off their crops. What he doesn't know is that his own daughter, Amal, is in love with Ahmed, a young man from the village.

In the 12th century's Andalusia lives Ibn Rushd a prominent Islamic philosopher with his wife Zeinab and daughter Salma. The principality is ruled by Khalifa ElMansour who has two sons, ElNasser, an intellectual that likes Ibn Rush and is in love with his daughter Salma. The younger son Abdallah is more into dancing and poetry, spending most of his times with the gypsy family and getting the daughter pregnant. The Khalifa is depending on the extremists to build his army granting them more power which they use to combat artists and philosophers. The extremists succeed in recruiting Abd Allah and train him to kill his father. Events go on where Marawan, the gypsy singer, is killed and Ibn Rushd's books are burnt. Adapted from the real life of Ibn Rushd AlMasir is Chahine's statement against extremism.

The authorities summon many young men for forced labor in the Suez Canal, so Metwally leaves his sister Shafiqa alone with their old grandfather, whereupon Shafiqa is forced to succumb to the temptations of Diab, the district chief's son. As their sinful relationship is revealed, she is forced to leave for Asyut, where she becomes the mistress of Al Tarabishi, the supplier of slaves.

Ragab, a poor sailor, returns home to Alexandria after three years of absence, during which he tried to save money to marry his one true love, Hamedah. But there's trouble on the harbor, and with an old friend.

After we last see him in "Alexandria, Why?" Egyptian filmmaker Yehia Mourad is in his thirties, and successful in his work, he has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities and forces that have made Yehia (and Youssef Chahine) the man he has become.

Eleven directors from eleven countries each contribute an eleven-minute short reflecting on the events of 11 September 2001: A village teacher in Iran tries to explain to her young students what's happened; city kids in Burkina Faso think they've spotted Osama bin Laden; a deaf Frenchwoman in Manhattan writes a Dear John letter to a man who left that morning for work at the World Trade Center; a Chilean remembers Allende; events recall other deaths; a mother endures more than her son's death. Tones vary, as do the locales. Most concern coming to terms with the events of the day, but at least one confronts the viewer with tragedy and death.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

1950 Cairo, Amin is a simple employee who lives with his family of three, his wife Zahira, son Nabil and daughter Hoda. Amin’s friend Mabrouk convinces Amin to invest his life savings in a project, which he promises, will get him rich. Amin agrees but forgets to take a receipt. Amin suddenly dies and watches on from the after life.