Widows

When Oxford Professor Patricia Kingori travels to Kenya, she uncovers the murky, multi-billion global underworld of essay-writing. Thousands of young and highly educated Kenyans – overqualified and chronically underemployed – have found lucrative work writing essays for students around the globe who are able and willing to pay for them. It’s a complex portrait of an issue that undermines the foundations of a pillar of humanity: education.

In the pre-Civil War United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty as well as unexpected kindnesses Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon’s chance meeting with a Canadian abolitionist will forever alter his life.

Steve McQueen and James Rogan’s Uprising examines three pivotal events from 1981 and how they defined race relations in Britain for a generation.

The story of Bobby Sands, the IRA member who led the 1981 hunger strike during The Troubles in which Irish Republican prisoners tried to win political status.

In December 2017 Steve McQueen made an artwork in response to the fire that took place earlier that year on 14 June at Grenfell Tower in North Kensington, West London. 72 people died in the tragedy. Filming the tower before it was covered with hoarding, McQueen sought to create a record so that it would not be forgotten.

Brandon, a thirty-something man living in New York, eludes intimacy with women but feeds his deepest desires with a compulsive addiction to sex. When his younger sister temporarily moves into his apartment, stirring up bitter memories of their shared painful past, Brandon's life, like his fragile mind, gets out of control.

The story of the only three minutes of footage —a home movie shot by David Kurtz in 1938— showing images of the Jewish inhabitants of Nasielsk (Poland) before the beginning of the Shoah.

An anthology series of five stories looking at the lives of a group of friends and their families in London’s West Indian community from the late 1960s to the early 80s.

The past collides with the present in this excavation of the Nazi occupation of Amsterdam: a journey from World War II to recent years of pandemic and protest and a provocative, life-affirming reflection on memory, time and what's to come.

An examination of the Black Power movement in the late 1960s in the UK, surveying both the individuals and the cultural forces that defined the era. At the heart of the documentary is a series of astonishing interviews with past activists, many of whom are speaking for the first time about what it was really like to be involved in the British Black Power movement, bringing to life one of the key cultural revolutions in the history of the nation.

In World War II London, nine-year-old George is evacuated to the countryside by his mother, Rita, to escape the bombings. Defiant and determined to return to his family, George embarks on an epic, perilous journey back home as Rita searches for him.

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.

An exploration of the sensory experience of the TauTona gold mine in South Africa, showing migrant labourers working in dark, claustrophobic environments and the ear-splitting noise of drilling. The TauTona mine in South Africa, known as 'Western Deep' is the world's deepest gold mine. Employing more than 5,000 people, it operates twenty-four hours day. The film begins in complete darkness as the miners descend three-and-a-half kilometres underground. McQueen documents an intense work regime where the temperature can reach over ninety degrees celsius. Accompanied by jarring sounds created by the mechanical equipment, Western Deep is a hellish representation of labour that makes the silent resolve of the miners all the more powerful.

Caribs’ Leap / Western Deep comprises two complementary films that are shown together as a three-screen, synchronised colour video projection. The films were originally commissioned for the Documenta 11 exhibition in Kassel, Germany in 2002. They were then screened in London by Artangel in the former Lumiere Cinema on St Martins Lane in the autumn of that same year.

Gravesend uses a documentary approach to focus on the mining of coltan, employed in the manufacture of cell phones, laptops and other high-tech apparatus. The film cuts between two sites: a technological, highly automated industrial plant in the West where the precious metal is processed for the final production of microelectronic parts, and the central Congo, where miners use simple shovels or their bare hands to extract, wash and collect the ore on leaves. IThe realism of the film images is intercut with a black-and-white animation of the Congo River. Its sinuous shape conjures associations with networking and the flow of communications, underscored by a murmuring resembling thousands of voices in the cell phone network. In the meantime, coltan, traded at an extremely high price, represents one of the key financial factors in the armed conflict of the militia in the Democratic Republic of the Congo, where decades of civil war have cost several million human lives.

The film documents two men carrying palm trees through the streets of East London. McQueen tracked the men through a bustling Brick Lane market.