Xingu Cariri Caruaru Carioca

After an initial meeting in 1964 interrupted by military dictatorship and a new meeting in the early 1980s to end the film "Twenty Years Later", Eduardo Coutinho once again find Elizabeth Teixeira, survivor of peasant struggles.

The audience follows the creative process of the filmmaker Eduardo Coutinho in the documentary, from the research phase until the end of the filming of "Master, a Building in Copacabana".

The rubber tapper movement in the 1970s and 1980s, at the Brazilian state of Acre. What is a tie? “It’s the way we found to prevent deforestation. We stand in front of the farm workers and gunmen with our families, women, children and elderly and ask them not to cut down the forest and leave. They are workers too, and we explain them that their future is in jeopardy as well. This heartfelt speech always works. Simple, defenseless, unaware workers are the ones who cut down the forest.” (Chico Mendes. Jornal do Brasil. 13 days before he was murdered.)

In 1979 and 1980, workers in São Paulo’s metallurgical industry organized a series of strikes that changed the face of union politics in Brazil. In the process, they established the groundwork for Brazil’s Worker’s Party and brought to the national spotlight union leader Luís Inácio Lula da Silva. Metalworkers is a feature-length documentary about the stories of 21 of these workers who took part in these historic strikes but remain in relative anonymity today.

A 10-part documentary about 10 Brazilian filmmakers: Linduarte Noronha, Jorge Furtado, Ruy Guerra, Murilo Salles, Paulo Caldas, Walter Salles & Daniela Thomas, David Neves, Julio Bressane, Ana Carolina and Carlos Reichenbach.

A documentary about Joao Guimaraes Rosa's stay in Nazi Germany. The film captures the experience of the Brazilian vice-consul in Hamburg between 1938 and 1942, at the height of the Nazi regime and during the first years of the World War II. Using his writings from that time, as well as archive pictures, documents, survivors testimonies, and an unpublished interview with him, the film reveals new biographical aspects of one of the greatest writers in Brazilian history.

Visual artist, filmmaker, and one of the leading cinematographers of the "New Cinema" movement, Mário Carneiro is at the heart of this portrait. The editing juxtaposes sequences from films he directed or shot with his work as an Expressionist painter and printmaker, revealing the dialogue between cinema and the visual arts in his work. With humor, he guides the audience through the path of his artistic development, sharing his creative process and the aesthetic choices that defined his career.

A conversation between a psychologist and an evangelical minister who was an executioner for the Brazilian military dictatorship.

A beautifully told story using archival footage to explore the life of Grande Otelo, a groundbreaking Black Brazilian actor. Overcoming poverty and racism, he built a stellar career, facing controversy yet using it to challenge prejudice.

Film Editor/Director Ricardo Miranda makes a homage to his friend Paulo Cezar Saraceni

Through interviews and footage, this work revisits the historic collaboration between Pixinguinha and Vinícius de Moraes in creating the soundtrack for the film Sun Over the Mud, directed by Alex Viany (1963). A significant milestone of the Cinema Novo movement, Sun Over the Mud had limited screenings for the general public but definitively contributed to the emergence of one of the most remarkable—and previously unprecedented—partnerships between these two legendary figures of Brazilian music.

Nobreza Popular features the "congadeira" women of the Chapada do Norte community in Vale do Jequitinhonha, Minas Gerais, as they celebrate during the Feast of Our Lady of the Rosary of Black Men. The film focuses on their gestures, songs, and dances—specifically the rituals involving water—as they petition the Virgin of the Rosary for rain and other blessings.