Museum of Wax

Depressed after losing his lover a long time ago, Andre visits a psychiatrist. While in the doctor's waiting room, he strikes up a friendship with Lois, the doctor's receptionist, and later with Lois' husband, Bob. Although the couple wants to help Andre recover from his depression, Andre finds himself unable to pull his life out of the past.

The story of the Miami Police Department's vice squad and its efforts to end drug trafficking and prostitution, centered on the unlikely partnership of Sonny Crockett and Ricardo Tubbs - who first meet when Tubbs is undercover in a drug cartel.

The film — a mix of music, colors, abstract scenes and little dialogue — is based loosely on the life and death of Mexican-American actress Lupe Velez. The music, far more than mere background, borders on serving as the film’s narrative and ranges from classical to contemporary pop music.

Tales from the Darkside is an anthology horror TV series created by George A. Romero, each episode was an individual short story that ended with a plot twist. The series' episodes spanned the genres of horror, science fiction, and fantasy, and some episodes featured elements of black comedy or more lighthearted themes.

After many flops, theatrical producer decides to stage a former hit, "O Mistério de Irma Vap". But he is going to face many problems to find the right actors and get the necessary permissions.

Remy McSwain is a New Orleans police lieutenant who investigates the murder of a local mobster. His investigation leads him to suspect that fellow members of the police force may be involved.

An outrageous erotic poem focusing on the daydreams of a beautiful boy prostitute who, from the seclusion of his ultra-kitsch apartment, conceives a series of interlinked narcissistic fantasies populated by matadors, dancing boys, slaves, and leather-clad bikers.

One of Mark Rappaport's later narratives (which won the Gold Hugo for Best First Feature at the Chicago International Film Festival in 1979), Impostors is an off-kilter comedy/mystery focused on two magicians trying to find Egyptian jewels, their promiscuous assistant, and a man who loves the assistant.

Mandacrest Mansion, 19th century. Lord Winston, after the strange death of his first wife, Lady Ira, has married Italian singer Claretta Sonella.

Agatha is an international lawyer, Jo a filmmaker. The two women are lovers. While Jo is on the road showing her films, Agatha discovers and reads her diaries. Problems ensue as Agatha's transgressions lead to jealousy and a spiraling cycle of sexual obsession.

When Elaine, an adventurous young woman from Germany, arrives in New York City, she sets out to be a famous writer. After a brief stint at a mundane job, Elaine falls on hard times and also becomes intrigued by a mysterious stranger named Lulu. Before long, Elaine gets roped into situations involving theft, murder and the mob. Can the beleaguered expatriate with big dreams turn her life around and steer clear of crime and chaos?

A newlywed named Vanessa moves into a mysterious mansion with her husband. As strange and terrifying events unfold, she learns of her husband's obsession with the disappearance of Myrna Vep, a woman tied to the mansion's dark past. As secrets unravel, Vanessa must navigate supernatural forces to survive and uncover the truth.

The New York underground linked the paths of the actor and playwright Charles Ludlam, the superstar of avant-garde cinema Mario Montez and the Argentine artist Leandro Katz. An underground community found refuge in a porn cinema that Ludlam rented at night to stage his theater of the ridiculous. In 1970 he premiered The Grand Tarot, an extravagant burlesque where the arcana became characters and a reading of cards before the performance began established the order of the scenes. Rollo Six materializes that furtive experience, recovering in its formal commitment the inventiveness of chance that guided Ludlam's work. Katz superimposes edited scenes in camera, fracturing the screen through the use of masks that cover the lens and allow him to separately expose each corner of the frame.