Run, Genta, Run!

The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.

Emil Svensson lives with his mother and father, little sister Ida, farmhand Alfred, and maid Lina on a picturesque farm in Småland. He is an unusually lively little boy, who just can't resist trying out every whim that enters into his white-haired head. Always with the best intentions in mind, because he is a good-hearted child, but often with catastrophic results, especially for his short-tempered father. As a result, Emil spends a lot of quality time in the wood shed carving wood figurines and waiting for Anton's temper to cool down. And the father's patience is certainly tried, as Emil gets his head stuck in the family's only soup bowl, hoists little Ida up the flag pole, and arranges a lavish Christmas party for the poor.

Bullied at school and ignored and abused at home by his indifferent mother and older brother, Billy Casper, a 15-year-old working-class Yorkshire boy, tames and trains his pet kestrel falcon whom he names Kes. Helped and encouraged by his English teacher and his fellow students, Billy finally finds a positive purpose to his unhappy existence.

Telling the true story of Marvin Bijou, a young boy from a working-class family in a small village, who suffers constant bullying at school and home for being ‘different’ – too sensitive and too feminine. A chance encounter with a drama teacher opens the doors to a world that offers him the chance to escape his situation.

The lives of a motherless young man, who's just starting to find interest in women, and his physically abused, poverty stricken friend, are mixed with more or less innocent childhood experiences and challenges most their age experience.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.