La Gioconda

A young man journeys from a difficult childhood to maturity, exploring social injustice, personal development, and the complexities of human relationships.

Puccini’s heartbreaking story of young love in the garrets of Belle Epoque Paris has attracted many famous singers through the years. But with James Levine at the helm and the starry duo of Luciano Pavarotti and Renata Scotto as Rodolfo and Mimi, every bit of emotion in the score pours across the footlights and seduces the audience. In this case, the audience was in the millions since this was the very first in the “Live from the Met” series of telecasts. The evocative production is by Fabrizio Melano, designed by Pier Luigi Pizzi.

Young man Marco Laudato, after the '8/9/1943's WW2 armistice, enlists in the Italian Social Republic army, attending the last days of the old regime in decay.

A dying German magnate invites his youngest son and daughter-in-law home to discuss the future of the family's shipbuilding empire. There, the daughter-in-law stumbles upon a secret of the family's Nazi past.

1943. The affair between Anna, unhappily married to wheelchair-bound Pino, and deserter Franco unfolds in foggy Ferrara, intertwining with the power struggle taking place within local Fascist ranks that culminates in a massacre of civilians, including Franco's father – Pino sees it all from his window, but will he tell anyone?

Childhood friends Franco and Jolanda accidentally meet again after 15 years and both know it is love. This comedy traces their troubled relationship.

For those with any interest in Vivaldi's operas Orlando Furioso is essential viewing, being a 1989 San Francisco Opera revival by Pier Luigi Pizzi of his own 1979 production which was largely responsible for beginning modern interest in Vivaldi's stage work. The composer first premiered Orlando finto pazzo in 1714, but the Orlando Furioso finalised in 1727 was so heavily reworked as to be virtually an entirely new opera, and so successful Handel set the same epic poem by Aristo under the title Alcina in 1735.

A black comedy anthology about three ordinary men who become involved in violent crimes: a teacher, obsessed with the idea that his wife is unfaithful, goes to a shrink; a wife has her husband dress himself with a comic character costume; and a man has to spend the night in a mysterious hotel after his car breaks down.

The ironic study of a young man's poignant adventures and sensual adventures...based on "Roman Tales" by Alberto Moravia.

A trilogy of comedic tales set in the Middle Ages.

Attractive teenager Sergia usually hangs out with her older sister and her circle of mature friends. For a change, she is convinced by two teenage male friends to go for a beach vacation. Their main motive is to try to win her affection and get to sleep with her. Tragedy soon follows when the love triangle unravels.

A historian goes to a castle library to translate some ancient erotic literature. While there he discovers what he believes to be supernatural forces at work.

Medieval soldier of fortune Ettore is traveling through Europe with his partners looking for a fight where they can earn some money. When they come across a Spanish castle under siege by the French army, Ettore bides his time to determine which side is the winning one. This is at first the French, but the treatment he receives from them is unpleasant enough to make him change his mind and turn to the Spanish side. Somehow, Ettore must rally the weakened Spanish troops to battle their enemy long enough for reinforcements to arrive.

Alice, a young translator, finds the real world slowly merging with her recurring nightmares as she tries to solve the puzzle of her recent memory loss. A postcard leads her to the island of Garma where the locals seems to know her. Is she who she thinks she is? And what significance does her dream of an astronaut abandoned on the moon have?

A betrayed wife decides to teach her philandering husband a lesson in this riotous farce. Marta (Catherine Spaak) discovers that husband Franco (Nino Manfredi) has been stepping out with her own best friend (Maria Grazia Buccella), and gets revenge by inventing an imaginary lover. Franco takes the bait, leading to improbable but hilarious complications.