Pier Luigi Pizzi

Puccini’s heartbreaking story of young love in the garrets of Belle Epoque Paris has attracted many famous singers through the years. But with James Levine at the helm and the starry duo of Luciano Pavarotti and Renata Scotto as Rodolfo and Mimi, every bit of emotion in the score pours across the footlights and seduces the audience. In this case, the audience was in the millions since this was the very first in the “Live from the Met” series of telecasts. The evocative production is by Fabrizio Melano, designed by Pier Luigi Pizzi.

For those with any interest in Vivaldi's operas Orlando Furioso is essential viewing, being a 1989 San Francisco Opera revival by Pier Luigi Pizzi of his own 1979 production which was largely responsible for beginning modern interest in Vivaldi's stage work. The composer first premiered Orlando finto pazzo in 1714, but the Orlando Furioso finalised in 1727 was so heavily reworked as to be virtually an entirely new opera, and so successful Handel set the same epic poem by Aristo under the title Alcina in 1735.

George Frideric Handel was one of those rare composers who excelled in both sacred, secular, instrumental and operatic music, leaving us extraordinary masterpieces in every field. Already renowned in Italy, Handel introduced himself to the city of London with his opera Rinaldo in 1711, which was such a success that he decided to remain in England for good. It is still regarded as one of his greatest operas. Set during the Crusades, Rinaldo is a lavish spectacle that tells a story of love, magic, struggles for power and ultimate reconciliation. Pier Luigi Pizzi’s acclaimed production brings us into a ‘dreamlike, unreal … world of spells and incantations’ (Epoca). Cast:- Armida: Carmela Remigio, Goffredo: Leonardo Cortellazzi, Almirena: Francesca Aspromonte, Rinaldo: Raffaele Pe, Argante: Andrea Patucelli

L'Incoronazione di Poppea by Monteverdi is the last Opera of the Monteverdi trilogy filmed by the Italian label and producer Dynamic at the Teatro Real, Madrid, May 2010.

At death’s door, a beloved king is doomed unless someone takes his place. So then his wife resolves to sacrifice herself to save him. Christoph Willibald Gluck composed his reform opera Alceste not once, but twice. In La Fenice’s production of the lesser-known original Italian version, director Pier Luigi Pizzi strips the action down to the bare emotional drama of Alceste’s sacrifice.

Medieval soldier of fortune Ettore is traveling through Europe with his partners looking for a fight where they can earn some money. When they come across a Spanish castle under siege by the French army, Ettore bides his time to determine which side is the winning one. This is at first the French, but the treatment he receives from them is unpleasant enough to make him change his mind and turn to the Spanish side. Somehow, Ettore must rally the weakened Spanish troops to battle their enemy long enough for reinforcements to arrive.

Four comedic shorts explore quirky relationships and misadventures: a teenage girl's journey home, a self-serving babysitter, a husband confronting infidelity, and a wealthy woman's drunken escapades with her butler.

A group of Italians take a flight to Sweden: among them there are the tourists, and the immigrants.