Broken Pieces

Perfect Blue: Yume Nara Samete (パーfectブルー 夢なら醒めて, Pāfekuto Burū: Yume Nara Samete) is a 2002 Japanese psychological thriller film directed by Toshiki Satō and adapted from the novel of the same name by Yoshikazu Takeuchi. The story centers on Ai, a teen pop idol transitioning to a recording career, whose life unravels amid fixation from a obsessive convenience store clerk, leading to themes of distorted self-perception, narcissistic delusions, and violent events.

Although its title indicates three personalities, the heroine of cult filmmaker Hisayasu Sato’s downbeat multiple-personality tale actually exhibits four, going from loving wife to crazed slut to insane child to depressed adolescent. As usual, Sato fills the film with alienation, kinky sex, and psychological subplots.

A married woman who is a "revenge contractor" who takes revenge on men on behalf of women who have been wronged by her ends up being embraced by the man she is targeting...

Surgeon Asami Hanaoka is in financial difficulty. A gang soon plot to takeover the hospital.

A young couple in love prepares to marry, but--contrary to the popular stereotype--the woman develops a classic case of "cold feet" and seeks the advice of an older man. In no position to offer solid counsel since his own marriage is failing, he instead allows her to seduce him.

Sex Machine tells of the affable but simple Hiroshi, who during one sweltering summer in a small, parochial town, moves in with his girlfriend, Haruka. Their lovemaking is as athletic as it is bizarre but a dark storm comes looming when Haruka's ex boyfriend comes knocking at the door.

Misa is caught up in a drug crime and the dark clutches of a cocaine syndicate close in on her... An erotic mystery starring Oba Kumiko set against the backdrop of Spain's beautiful natural scenery.

“When 28-year-old Tomomi is dumped by her boyfriend she seeks solace in the arms of 20-year-old student, Takao. A relationship develops through which Takao comes of age sexually and Tomomi discovers a side to love she has previously not known.”

Kasumi Yuka heads the cast of this silly softcore film from Hisayasu Sato, the usually far more sober cult filmmaker known for grim depictions of alienation and sadism. Yuka plays a cranky harridan who uses her vibrator to administer questionably effective punishment to people who annoy her.

A young couple go on the run after the murder of his mother.

The film tells the story of Aiko, a 35-year-old mute woman who works in a bowling alley, and her brief romance with Yoshioka, a younger man who works as a postal carrier. The two meet when Aiko accidentally knocks Yoshioka off his bicycle, and they have a sexual encounter soon after. Aiko begins preparing lunchboxes and giving them to Yoshioka at his workplace as a way of expressing affection, which she cannot do verbally.

Yuji and Akiko are newlyweds. Yuji dreams of being a movie star. He lands the lead role in a Pink Eiga soft-core sex film. The director requires him to have sex with the actress. Akiko goes to her high school reunion and is raped by a drunken guy, and then hooks up with her ex-high school love. A dark and comedic look at contemporary relationships and the pitfalls of married life. The story was written by Locarno International Film Festival, Golden Leopard Prize Winner, Masahiro Kobayashi. (Pink Eiga)

A timid young woman who lives with her domineering mother accepts an Adult Video scout's offer to "become somebody else" by performing in porn videos. As she rises in popularity, the boundaries between her two lives begin to disintegrate.

A former Self-Defense Force officer who returns to his hometown with his comrades to fight for his life. A woman who comes to trace the trail of her husband, who has been missing for seven years. A woman who wants something stimulating in her boring village. A man and his daughter who left his wife without giving a reason and drifted to a fishing village in the north to live in seclusion. The lives of these five people intersect for a moment and are eventually dismantled again.

Shinji Imaoka’s debut film about three men, a woman, and a dead body.