Miwako Wagatsuma

This erotically charged drama traces the intersecting stories of a group of employees and visitors at a notorious "love hotel" in Tokyo's red-light district.

Hatori Matsuzaki is a female high school student. She has a crush on her childhood friend Rita Terasaka and believes he will eventually choose her as her heroine, but Rita Terasaka begins dating Miho Adachi. Meanwhile, the most popular male student, Kosuke Hiromitsu takes an interest in Hatori Matsuzaki.

An anthology of odd and eerie stories. Each one a contemporary precautionary tale.

Misaki, living a lonely life in Tokyo for college; decides to go back home to Fukushima for a month on her spring break. But by coming home without a notice, her mother would not welcome her nor let her in the house. She wanders around trying to find a friend to let her stay and fails miserably but ends up finding a small hotel called "Komorebi" looking for a short time live-in worker. There, she starts living with a kind and trustworthy woman, Kinuyo, and a hurt and depressed owner, Goro. A girl with a broken up family and a man with a dark past; their paths in life cross over as they start to change slowly...

High school student Tomoyuki (Hoshi Ishida), his father (Kazuhiro Sano), and Yuki (Miwako Wagatsuma), a girl that Tomyuki likes, gather together as a family and performs road shows out of their truck. A sense of loss, farewells, and relations are all brought out.

In this offbeat coming-of-age tale, a charming, rebellious high school dropout named Kanta befriends the kind, provincial Shoji. The two bring out the best in each other, each gaining confidence from their friendship - especially regarding pursuit of the opposite sex. The working class Kanta becomes a sort of unruly anti-hero, maintaining his pride, defiance, and self-assurance even as his prospects seem increasingly grim.

The Story of the 1 Litre of Tears special takes place after the events in the main drama. The Special takes the view of Asou Haruto who is remembering life the way it used to be before the events of the last episode of the series.

In a noisy classroom, biology teacher Madoka proceeds with his lesson in a small voice.He is unable to look the students square in the face nor admonish them for talking or sleeping in class. Only Tsubura looks upon him with a smile. Very much infatuated with Madoka, she records his idiosyncrasies in her biology notebook through illustrations--tapping his hand on his chin is proof that he is annoyed; messily tugging at his hair when he is at his wits' end. Tsubara, fearful of being forgotten after she dies, only eats things loaded with preservatives so that even if she dies, her body will not rot. Believing such things, Tsubara, thinking that "combining Mr. Madoka who has no one with me who needs someone would surely be perfect," gets the wild idea of a genital exchange with Madoka.

Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

Kaede is fed up with routine chores at her workplace and the relationship with her boyfriend. Her mood brightens when Takuya, with whom she and her brother Ryuta were befriended in childhood, returns to her home town. After reuniting, the friends spend a great time together. But when Ryuta’s girlfriend Yuki gets pregnant, confessions are made that change their relationship.

Takeshi Hongo is a promising young man with a passion for motorcycle racing. However, his dreams are suddenly ruined when he gets kidnapped by Shocker, the evil secret organization planning to dominate the world. After being remodeled into a cyborg, Takeshi escapes and swears to protect the world from the inhuman monsters.

The Makai fight a secret war against the demon forces known as Horrors, evil creatures that manifest themselves through darkness to devour Humanity. On the frontlines are the Makai Knights, given the task of watching over a district and eliminating any Horrors that manifest there. GARO follows the tales of the Knights bearing the title of ‘Golden Knight Garo’, and their duty to vanquish the Horrors and protect Humanity from the darkness.

1 Rittoru no Namida is a Japanese television drama for Fuji Television about a girl who was diagnosed with an incurable degenerative disease at 15, but was able to continue her life until her death at the age of 25.

Five beautiful but mysterious women move in with unsuccessful novelist Shin, who manages their odd household in exchange for a tidy monthly sum.

Kaede Sato, newly transferred to the sales department, gets locked out and is rescued by her crush, Daisuke Shioya. When Daisuke’s roommate—someone Kaede dislikes—returns, they must hide in his closet, creating a tense and intimate situation that sparks unexpected feelings.

Morita, a man who never succeeds in anything, takes his anger out in gambling. He meets an underworld fixer named Ginji Hirai, who introduces him to the underworld trade, where billions of yen changes hands every moment, and speculators and other influential people bet their lives for greed.

Riku Tsuneta works as rookie AD at a TV station. He is assigned to the “unconfirmed material center” where they arrange lots of program materials. These program materials were found at the TV station when it moved locations. He works with Director Saori Nikaido and Producer Satoru Sayama. Riku is disappointed that he is working there, but he spends his days arranging VTR. One day, he finds recorded material showing a supernatural phenomenon.