Stop the World... I Want to Get Off!

Matteo is a communist intellectual, the son of a wealthy bourgeois, who found himself blind from an eye after the war. One day in the streets of Rome he meets Amelia, a child suffocated by the bourgeois environment.

Italy, 16th century. Petruchio, a choleric, lying and poor rural landowner from Verona, arrives in Padua in search of fortune and a wife, while Baptista, a wealthy merchant, announces that he will not allow Bianca, his youngest daughter, to marry until the temperamental and unruly Katherina, his eldest daughter, does.

Wealthy teenager Guendalina is a child of divorce. Oberdan, likewise a teenager, is a boy from a blue-collar family. Escaping from the tribulations of her home life, Guendalina creates a dream world of her own, casting Oberdan as her personal Prince Charming. Despite parental objections, girl and boy fall in love. Interestingly enough, the relationship between Guendalina and Oberdan remains pure and chaste throughout their film, which is more than can be said for their parents. their respective parents behave with marked laciviousness.

Caterina, a young teacher, has a hobby of singing and occasionally delights her students.

In the far future, a highly sexual woman is tasked with finding and stopping the evil Durand-Durand. Along the way she encounters various unusual people.

Young student runs away from a 1984-esque dictatorship, lives for a while with a crazy girl in a surrealistic “igloo” in snowy wilderness and then returns to lead a revolution against the oppressive system. Sci-fi tale consistent with the political climate of May 68.

A collection of sketches that tells the story of prostitution through the ages.

A whimsical commedia all'italiana divided into four episodes.

Ariberto de Ficulle is a nobleman who came into possession of a small feud by marrying the ugly Matilde Montefiascone.

A satirical and surreal mockery of top-down, positivist urban planning exemplified in the character of "Professor C", the film was made by the architect Giancarlo De Carlo with Carlo Doglio, Michele Gandin, Billa Pedroni, Ludovico Quaroni and Elio Vittorini for the 10th Milan Triennale in 1954. Shot on 35mm film.