Death in Brunswick

Conflicts of interest arise when a country couple are visited by a couple from the city.

A highly stylized metaphorical tale about the brutalization of employees under corporate culture.

A dying criminal takes his younger brother on one final job so that when the final hour comes, his brother and his brother's wife and daughter who he himself may have fathered, will be financially secured.

After years of having her letters to her estranged father come back as undeliverable, a young woman takes a job at a Dead Letter Office. She hopes to figure out how to locate her father. Unexpectedly, she finds a potential romance and begins to learn more about herself.

A young woman has eerie flashes of recovered memories of her brother committing a murder, despite her parents assurance that all is well.

The allure of pleasant weather, a carefree lifestyle and better job prospects in Queensland appeal to Doug, a downtrodden factory worker from Melbourne.

Ort Flack is 12 years old and lives with his mother and his sister Tegwyn in the Australian outback. The three of them also have to take care of their old grandma and their paralyzed father. It is not easy for one mother to take care of everybody. But one day a mysterious stranger, Henry, comes to their desolate house to help them...

The first documentary about Australian trans lives. Given only a limited release in 1983, it has rarely been shown since. Filmed in Sydney in 1981, the film unusually seeks to provide a voice for trans women and men of the time, in contrast with the sensational viewpoints that were a feature of most reportage of the period. Man into Woman features eight interviews with trans women and men, interspersed with the views of ‘authority’ represented by figures like the then Attorney-General of NSW Frank Walker. The film was a turning point in the Australian media for understanding the complexity and diversity of the trans experience.

The life of a man who sells papers for a living, his interests, and his relationships. A copy of the print, a student film from the Carlton New Wave, was preserved by Nigel Buesst at his own expense.