That Eye, the Sky

Conflicts of interest arise when a country couple are visited by a couple from the city.

A highly stylized metaphorical tale about the brutalization of employees under corporate culture.

A dying criminal takes his younger brother on one final job so that when the final hour comes, his brother and his brother's wife and daughter who he himself may have fathered, will be financially secured.

After years of having her letters to her estranged father come back as undeliverable, a young woman takes a job at a Dead Letter Office. She hopes to figure out how to locate her father. Unexpectedly, she finds a potential romance and begins to learn more about herself.

A young woman has eerie flashes of recovered memories of her brother committing a murder, despite her parents assurance that all is well.

A reserved man in need of a job, Carl Fitzgerald finds employment at a Greek restaurant. Upon meeting waitress Sophie, Carl begins dating the attractive woman. Though it seems things are improving for Carl, an unexpected situation leads to the death of Mustafa, a shady coworker, and Carl must figure out how to cover up the incident. Unsure of what to do, Carl enlists the help of his buddy, Dave, to get rid of Mustafa's corpse.

The allure of pleasant weather, a carefree lifestyle and better job prospects in Queensland appeal to Doug, a downtrodden factory worker from Melbourne.

The first documentary about Australian trans lives. Given only a limited release in 1983, it has rarely been shown since. Filmed in Sydney in 1981, the film unusually seeks to provide a voice for trans women and men of the time, in contrast with the sensational viewpoints that were a feature of most reportage of the period. Man into Woman features eight interviews with trans women and men, interspersed with the views of ‘authority’ represented by figures like the then Attorney-General of NSW Frank Walker. The film was a turning point in the Australian media for understanding the complexity and diversity of the trans experience.

The life of a man who sells papers for a living, his interests, and his relationships. A copy of the print, a student film from the Carlton New Wave, was preserved by Nigel Buesst at his own expense.