Tic tac

Yoshio, a young Japanese loner travelling through Europe, falls for a flight attendant en route to Barcelona. After a mix-up, Yoshio's red suitcase ends up in the hands of his new crush.

After the failure of her marriage, Iris goes back to her hometown during the Spanish Civil War (1936-1939), where she becomes a war photographer.

After a period of inactivity, Crisanto, a police inspector, returns to the service. When a friend of his is murdered, he decides to take over the investigation.

Sofía, a dentist, and Tristán, owner of a shoe store, live in the same building but have never met or even seen each other. Disenchanted with love, both have sworn never to fall in love again, until they finally meet.

Lola is a young woman who works in a factory. She lives a violent and tormented love with Mario. To get away from him, Lola moved to Barcelona. There he met Robert, CEO of a major company, with whom she starts a relationship.

Barcelona, 1983. Agustí Martorell is a left-wing lawyer, atheist and former anti-Franco fighter, who discovers that his 15-year-old daughter Esther, influenced by the optional religion classes of Mossèn Parcerisas, a progressive priest and post-councillor, has converted to Catholicism and was secretly baptized.

Luys Forest is a writer with a Falangist political past. He lives isolated in a coastal town, writing his memoirs (actually rewriting and adapting his autobiography with the times), and brooding over his failed marriage. His sister is worried about him and decides to send her daughter Mariana to stay with him. Mariana and a seemingly mute and artistic lesbian companion come to town to shake the stable world of Luys with their free and uninhibited ways. Soon begins a game of seduction that ends up exposing the intellectual game of Luys.

"Ferida arrel MMM" is a collective film around the figure of the Catalan poet Maria Mercè Marçal composed by filmmakers of different generations who deep into her life and work with the intention of reflect the construction of female identity. But isn't just a simple tribute to Mercè, is also a mirror in which the directors experience their own reflection from Marçal views and proposals. A poet, translator, teacher, feminist, intellectual, mother... crossed in the mirror for multiple (re) construct a genealogy of women in pictures. A mirror identified as a woman and artist who talks about motherhood, language, female body, memory, popular tradition, nature, art, lesbian love, disease, death.