Profiles Farmers: The Approach

Second documentary of a trilogy produced on the long term (together with Profils paysans: l'approche (2001) and Profils paysans: La vie moderne (2008)), showing the simple lives of farmers in contemporary Southern France.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

This documentary draws a sensitive, unsensational portrait of the desert and the people who inhabit it, the Toubous.

Second documentary of a trilogy produced on the long term (together with Profils paysans: l'approche (2001) and Profils paysans: La vie moderne (2008)), showing the simple lives of farmers in contemporary Southern France.

A new documentary by filmmaker-photographer Raymond Depardon – where justice and psychiatry meet.

The co-founder of the Gamma press agency, Raymond Depardon, created this documentary of press photographers in Paris and their subjects by following the photographers around for one month, in October, 1980. In-between long hours waiting for a celebrity to emerge from a restaurant or a hotel, boredom immediately switches to fast action as the cameras click and roll when the person appears. The reaction to the gaggle of photographers is as varied as the people they often literally chase all around town. While some of the celebrities, such as Jacques Chirac who was mayor of Paris at the time, are perceived as comical caricatures, others are shown simply going about ordinary pursuits - including Catherine Deneuve, Gene Kelly, and Jean-Luc Godard.

A compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.

Raymond Depardon reflects on the photographs he took at the San Clemente psychiatric hospital. He discusses the photographer’s wandering eye and his hesitation when it comes to choosing the right image.

This documentary is an autobiography based on director Depardon's voice, his face and pictures from his childhood which are all mixed together on screen and contrasted with selected pictures he shot between 1957 and 1977 and now comments on.

The Garet farm is for sale. Brothers Jean and Raymond Depardon chat about the past and the future of the farm.

This documentary follows the daily life of a section of the police station of the fifth "arrondissement" (district) of Paris.

This documentary is about the life of a Venetian psychiatric hospital. The relationships between the doctors, the patients and their families are followed.

Following the 1974 French presidential campaign with Valéry Giscard d’Estaing.

Using a rostrum camera, Raymond Depardon films a long series of photos, from the narrow streets of Paris to the endless desert, accompanied by original sounds of the city. A Cartier Foundation initiative for the contemporary arts.

On the eve of the publication of the zero issue of the daily newspaper "Le Matin de Paris", we dive into the heart of an editorial staff directed by Claude Perdriel in turmoil.