Raymond Depardon

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

Miscellaneous images of African life.

A new documentary by filmmaker-photographer Raymond Depardon – where justice and psychiatry meet.

A compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.

Raymond Depardon reflects on the photographs he took at the San Clemente psychiatric hospital. He discusses the photographer’s wandering eye and his hesitation when it comes to choosing the right image.

The co-founder of the Gamma press agency, Raymond Depardon, created this documentary of press photographers in Paris and their subjects by following the photographers around for one month, in October, 1980. In-between long hours waiting for a celebrity to emerge from a restaurant or a hotel, boredom immediately switches to fast action as the cameras click and roll when the person appears. The reaction to the gaggle of photographers is as varied as the people they often literally chase all around town. While some of the celebrities, such as Jacques Chirac who was mayor of Paris at the time, are perceived as comical caricatures, others are shown simply going about ordinary pursuits - including Catherine Deneuve, Gene Kelly, and Jean-Luc Godard.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

Using a rostrum camera, Raymond Depardon films a long series of photos, from the narrow streets of Paris to the endless desert, accompanied by original sounds of the city. A Cartier Foundation initiative for the contemporary arts.

This documentary draws a sensitive, unsensational portrait of the desert and the people who inhabit it, the Toubous.

On the eve of the publication of the zero issue of the daily newspaper "Le Matin de Paris", we dive into the heart of an editorial staff directed by Claude Perdriel in turmoil.

On the 8th floor of the Fondation Cartier in Paris, Raymond Depardon's film features a minute of silence with eight artists and scientists: David Lynch, Patti Smith, William Eggleston, Takeshi Kitano, Ron Mueck, Jean Michel Alberola, Agnès Varda and Misha Gromov.

In the context of the World Aids Day on the 1st December 1994, the French Ministry of Defence commissioned the producer Raymond DEPARDON to make a film to show to all new French military recruits called up for their national service, in which they gave their 'personal' views on the AIDS (Sida) problem. Each year about 240.000 young men are called to do their military service in the French Armed Forces. They remain in bases both in France and in French overseas territories, the film will be projected throughout these multiple installations. The 'on camera" interviews by Depardon were authorised without any form of restriction by the military authorities, selecting a scattering of young men from all walks of life who will spend 10 months under the flag. They were each free to give their own personal opinions related to the Aids problem, without any form of censorship.

The first of a documentary serie about rural France.

A film about Raymond Depardon's photography in his native countryside from the documentary TV series "Territoires photographiques" for France 3 and INA.

This documentary follows the daily life of a section of the police station of the fifth "arrondissement" (district) of Paris.

This documentary is about the life of a Venetian psychiatric hospital. The relationships between the doctors, the patients and their families are followed.

The unique distinction of this standard comedy drama is that it is the first foreign, feature-length movie filmed in mainland China. Novice director Camille de Casabianca obtained permission from the authorities and set up her story around Valerie (Christine Citti), a woman who follows Yves (Yves Renier), the man she loves, to China. Yves is a journalist assigned to report on Western tourists behind the Bamboo Curtain, and it is an unintentionally comical group of tourists at that.

Following the 1974 French presidential campaign with Valéry Giscard d’Estaing.

Anthology of short films about the French city of Nice, by various directors. A homage to Jean Vigo and his "À propos de Nice" from 1930.

Created for the exhibition "Nous les Arbres" (2019 – Fondation Cartier pour l'art contemporain), this film gives a voice to those who live alongside trees, spend time with them, cherish them, observe them, advocate for them, care for them, admire them, or who are perhaps a little weary of living in their midst.

For his directorial debut, Raymond Depardon traveled to Prague to document the funeral of Czechoslovak student Jan Palach, who died after setting himself on fire in protest against the Soviet occupation and the suppression of the Prague Spring. Filmed on 25 January 1969, the documentary records the massive public procession that followed, as hundreds of thousands of mourners gathered despite official efforts to discourage public participation. (Note: This film is distinct from the anonymous short "The Funeral of Jan Palach" (1969), which circulated separately as an uncredited protest document.)

The Garet farm is for sale. Brothers Jean and Raymond Depardon chat about the past and the future of the farm.