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Os Ossos do Barão is a Brazilian telenovela produced by SBT and originally broadcast from April 28 to September 8, 1997. It is an adaptation of Jorge Andrade's 1963 play of the same name, adapted for television by Walter George Durst, with collaboration from Duca Rachid, Mário Teixeira, and Marcos Lazarini. The telenovela stars Ana Paula Arósio, Tarcísio Filho, Juca de Oliveira, Othon Bastos, and Leonardo Villar. Set in São Paulo in 1948, the story follows Egisto Ghirotto, the wealthy son of Italian immigrants who dreams of gaining social prestige by marrying his son, Martino, to Isabel, the great-granddaughter of the late Baron of Jaraguá. Their romance sparks a bitter conflict between a rising immigrant family and a declining aristocratic dynasty, exposing themes of class, ambition, tradition, and the social transformation of Brazil.

Canavial de Paixões is a Brazilian telenovela produced and shown by the Sistema Brasileiro de Televisão from 13 October 2003 through 22 March 2004. Based the original text of Caridad Bravo Adams, it was translated into the Portuguese for Enrique Zambelli and Simoni Boer, with supervision of text of Ecila Pedroso and general direction of teledramaturgia of David Grimberg. It had 118 chapters. Bianca Castanho and Gustavo Haddad are the main protagonists. Débora Duarte, Helena Fernandes, Oscar Magrini are the main antagonists.

A man who works as a driver for a cladestine revolutionary organization has an opportunity to make a big score.

Suspected of murdering his girlfriend, man is judged by public opinion and gets implicated in a serial killing case.

At the end of the 19th century, Italian immigrants settled in the municipality of Palmeira, Paraná, creating Brazil's first anarchist society, Colônia Cecília. Giovanni Rossi suffers from the failure of the experiment. He is a veterinarian, agronomist, biologist, and journalist. But above all, he is an idealist, with a strong personality and obsessed with the desire to live with free humanity.

In the tiny poor town of Asa Branca, in the middle of Brazilian Northeast, Roque Santeiro is worshiped as a saint. He was supposedly killed by a bandit, 18 years ago, trying to save the local church. After his disappearance, local leaderships such as landowner Sinhozinho Malta and mayor Florindo, took profit on that to control the humble population. They even make up a widow, Porcina, who should have married Roque secretly before his death. What they don't expect is that Roque is alive, and he's back to, allegedly, "save his people". Now Malta, Florindo, Porcina, and others must hold him down and explain the "truth" to their commoners, in a desperate attempt to save their own bottoms. Meanwhile, mysterious facts surround Asa Branca, such as a Werewolf, a film crew who are trying to shoot a movie about Roque's story, and violent murderers.

A Jewish teenager goes to a Catholic school and falls in love with a black Catholic girl.

The irreverent Dulcinéa struggles to keep her revue theater, *Mambembe*, afloat; the building itself belongs to the traditional Maldonado family. The patriarch, Salvador Maldonado—a conservative man—keeps a tight rein on the clan, maintaining control over both the business and his children: Joana, an elegant and snobbish woman who is the staunchest defender of the views held by Pops, as the children call him; Téo, who has always silently submitted to the old man's high-handedness; Walter, dominated by his older sister and his father's favorite; and Lalucha, the youngest, a film student who challenges the status quo and rebels against the family's stuffy conservatism.

The plot takes place in 1880, in the city of Rio de Janeiro, following the lives of three strong and determined women. Aurélia, Maria da Glória and Mila are great friends who attend etiquette classes together, but life doesn't take long to put them in completely different directions.