Clouds

Dois Dragões follows a small dog on an adventure in a Chinese restaurant, where its owner (Ana Zanatti) goes to have dinner with her daughter (Beatriz Batarda). Terrorised by the possibility of being turned into Chop Suey, the dog passes a frightening night, running through the restaurant and hearing the telenovela-like conversations taking place at the different tables. With the camera placed in the dog’s perspective, this short film acts as an amusing panorama of Lisbon society at the end of the 20th century.

A story about character created by Reinaldo Ferreira (1897-1935), action reporter, mystery novelist and emotion journalist.

A prophetic young woman Ana receives a foreboding vision about her father, dismisses it as superstition, and is devastated when it comes true. She learns that someone in the city foresaw the same fate, and against his wishes, she returns to confront him, only to become the subject of another terrifying prophecy he issues about her own future.

An approach to the life and work of Jorge de Sena, relying on the testimonies of Mécia de Sena (author of the texts she reads) and the insertion of brief segments of fiction from texts (poems, fiction and theatre) by the writer.

A long-hidden, personal doc about leaving a beloved house by the late, revered Portuguese director Manoel de Oliveira.

Nino, tough but sickly, and his older brother Vicente live in the country with their father. After their father disappears ― we’re never sure why ― murder is suggested. Vicente brings his girlfriend to the house, and a different kind of family is established as the three youngsters grow fiercely protective of each other. But their uncle grows suspicious about the fate of the missing father and forcibly kidnaps Nino, taking him away to the city and leaving Vicente to locate him there.

Director Jorge Silva Melo has developed a viable, though highly intellectual mystery story about the world of art and culture and murder in this somewhat theatrical presentation. When German artist Bernd Hoffmann (Michael König) arrives in Lisbon to oversee the installation of his paintings in a joint exhibition with another Berlin artist, Hanna Brauer (Charlotte Schwab), Hanna never shows up. Hoffmann is puzzled because he is certain he saw a video sequence with Hanna at the exhibition, and he begins to look for her. Another Lisbon cultural center, a theater, is also having problems that may or may not be related -- and the mystery deepens when Hanna is found dead, either by her own hand, or murdered.

It is the end of summer and Isabel is a relationship with Diogo. She don't quite know what she wants from her life going forward as her father gets sick.