Afonso Melo

A story about two people (Clara and Tó), from different economic backgrounds, who love each other, but whose love is not accepted by everyone, especially by the father of Clara, who will do everything he can to stop their love. Things go even worse when Clara becomes pregnant.

Tomás is a young teenager who fights for the leadership of a small marginal group. One night, in the world that he cannot control, his fallout leads to the death of one of the group's members. Laura, the possible witness to the crime, becomes a threat.

Vincent, a young Swiss, is upset by his meeting with the city of Lisbon. He will meet two persons: a prostitute of high flight and a great writer fallen and suicidal.

A summer film. About summers. Two seasons splitting it apart by half a dozen years, the youth years – time it takes its characters to realise they’re getting lonely. Hellish summer ends and we’re on a little fishing village, river-side, in Lisbon’s south bank: people make life-changing decisions.

In a remote village in Alentejo, the train is the only connection to the world and to the politics of the capital. The news of the establishment of the Republic is spread by telegraph, but in this Alentejo village, telegraph operator Miguel Zuzarte is a staunch monarchist who hides the message he has received from everyone. For days, the people wonder about the absence of the train, and the telegraph operator does everything he can to cover up the unreported news. The train will return to the village, and the impact of the end of the monarchy is not what one might imagine.

The consuming passion between Pedro I of Portugal and Ines de Castro is brutally interrupted when Ines is executed, as a consequence of political intrigue and in the name of the kingdom's interests. Pedro, cruelly hurt, pursues the single-minded purpose of avenging his lost love. He captures and kills the executioners, and compels the nobility to acknowledge Ines as his lawful wife and Queen of Portugal.

Leonor and Pedro, are young, in love and from different social classes. She is the daughter of a wealthy man. He is from a modest working class family. They experience an intense but dramatically short love affair. When Pedro discovers Leonor’s father’s secret – that he sexually abused a maid – he is the victim of a hit and run accident, leaving him in a deep coma for 5 years. He later awakens to find out that his girlfriend, who was told he had died in the accident, moved on with her life and married someone else, after several years of grieving.

An unlikely love with a happy ending... At age 40, Miguel is at the top of his career as a plastic surgeon, having reached the fame and fortune he worked so hard for. He’s a hopeless bachelor, never committing to any real relationship. This is not just by choice, his situation is a result of never having met his parents and being raised in a children’s home. But, overnight, a simple phone call will change his life entirely, making him recall a point in his life that he’d rather forget. His best friend from the institution was just killed in a car crash along with his wife, but left written instructions behind stating that, if something should happen to him, Miguel should be given custody of his three children, 12-year-old Simão, 8-year-old Jaime and 6-year-old Beatriz. Initially, Miguel will try to dismiss himself from any responsibility but, after meeting the kids, he realizes that he has no choice but to bring them home.

Vera de Almeida Barreto highlights her choices as a woman dedicated to family, sacrificing herself to support her husband's career and raise their three children. Upon discovering Lourenço's affair with lawyer Daniela Lopes (Rita Salema), a younger woman, Vera reevaluates her life, questioning her role as a woman and facing a lack of support from her children in this challenging situation. The plot becomes even more complex when Vera falls in love with a younger man, challenging societal norms and exposing the double standards surrounding age differences in relationships.

A snobbish housewife is determined to climb the social ladder, in spite of her family's working class connections and the constant chagrin of her long suffering husband. Portuguese remake of the British classic Keeping Up Appearances.