The Summer of Frozen Fountains

The Soviet Union has collapsed. Civil and ethnic wars have broken out in Georgia, Azerbaijan, and Armenia, three republics in the Caucasus. The post-Soviet Caucasus have turned into one large conflict zone. Two radically different people with different ideals, problems, and goals are united by the conflict zone. Gogliko, a Tbilisi street boy, and Spartak, a Sukhumi sniper, are forced to solve problems of the street and problems of the state together. For one, the goal is to get back the money he lost gambling; for the other, it is to carry out a general's absurd military mission. In spite of it all, their paths cross and their lives are changed forever.

The series of shocking murders are forcing two absolutely opposite detectives to unite. Working as a team helping them to solve the crime but they understand that winning the war never means that war is over.

Andrey Rybin, a talented analyst, works for the FSB in the department for combating organized crime and corruption. He is going to retire in order to finally relax and spend more time with his wife, adult daughter and beloved dog. Suddenly, a former CIA officer, Donovan, comes out to Rybin. Twenty-five years ago, he introduced an illegal intelligence officer, Rybin, to Russia and now demands fulfillment of his obligations. However, Rybin understands that Russia has become his native country, and now it is she, and not distant America, who is his Homeland, which needs to be protected and protected.

Seven directors develop their own scripts and come to Estonia to make their films with local cast and crew. Libertade is a feature length film project, comprising of seven short films directed by renowned film-makers from Georgia, Russia, Switzerland, Estonia and France. They all take their unique look into questions about our roots and identity, our choices and our search for freedom and its consequences. —Katerina Monastyrskaya

A story about two friends hopelessly in love with one great actress.

Soldiers in cars drive around the city day and night, erasing or covering with paint any drawing on the wall, even one that does not have political overtones. But for two “spontaneous protestors” - a writer who is refused to be published, and a young artist-photographer, whose art is also now not in honor, a kind of exchange of painted messages becomes the meaning of their existence in an era that seems to be not conducive to creativity.

Maxim, Stepan, Roman and Kesha organize a bureau where anyone who needs non-standard help can apply.