Giorgi Nakashidze

War in Abkhazia, 1992. An Estonian man Ivo has stayed behind to harvest his crops of tangerines. In a bloody conflict at his door, a wounded man is left behind, and Ivo is forced to take him in.

Few not connected novels about the love. Few couples falling in love in different places of post USSR: Moscow, Georgia, Armenia.

A simple Tbilisi story seen by 12 directors,of which the first begins and the 12th ends the film.The directors and the actors as well the genre are changing. All actors are playing leading roles. Represantives of different professions are also involved in the film to create an image of Georgian society.

Dmitrij has recently returned to his small Georgian hometown after graduating from a university abroad. His monotonous days drag on, between working and the solitary rock-climbing excursions.

Givi lives in Moscow, and Levan in Tbilisi. The friends had not seen each other for thirty years and found each other on a social network. It would seem that they have nothing in common. Givi is a film director and has family problems. Levan is lonely and lives like a homeless person. Givi is going through changes in his life, while Levan has not changed anything for a long time. But they have something in common – childhood memories. Thanks to communication on a social network, they begin to help each other. Levan opens up to Givi from a new, unexpected side, and Givi gets the opportunity to return to his childhood, to his hometown.

In the non-Georgian population of Georgia, over the centuries, its own mentality has been formed, i.e. non-Georgian population has always behaved ambiguously. It should be emphasized that not only those who consider it their home, but also those who are trying to appropriate the best "apartments of this hotel" lived and live in Georgia. At one time, Mikhail Javakhishvili, in his allegorical novel "Jacos Hiznebi" ("Khizans Jacko" - "Jacko Lodgers" - in Russian refuge, show itself loyal and humble servant. And you, in your naivety and carelessness, open the door for him, provide food and shelter. And he will gain strength, become carefree and arrogant,

The story of Pascal Ichak, a larger-than-life French traveller, bon vivant, and chef, who falls in love with Georgia and a Georgian princess in the early 1920s. All is well until the arrival of the Red Army of the Caucasus, as the Soviet revolution that has swept Russian comes to Georgia. Told as a flashback from the present, as a French-Georgian man whose mother was Pascal's lover translates his memoirs for Pascal's niece.

Does air temperature really matter for fountains to be frozen or melt? One just need to stop and look around... It's a mosaic of several interrelated characters in search of their own happiness. It's about hopes and disapointments, betrayal and forgivness... and of course it's all about love...

Civil War in the 1990s. Society is divided into two opposing parts. The protagonist has relatives and friends on both sides, he is torn by this predicament.

A series of high-profile murders, a captured criminal, awaiting a final verdict—this is the subject of the documentary film that Irakli is working on. The production team is actively investigating the facts, meeting with people connected to the suspect, and even speaking with the detainee, who is held in the Ministry of Internal Affairs’ detention center. The deeper the investigation goes, the more sharply society’s role in perpetuating injustice and the destruction of the free spirit comes into focus.

When the republic of Georgia declared war on the rebellious province of Abkhazia, many of the country's young artists and intellectuals responded to their government's call to fight. Every culture, it seems, needs to discover for itself that war is hell. Khaindrava's version of this aperçu is in every sense a front-line bulletin: it's a black-and-white docudrama about Georgia's attempts to subdue the rebellion in Abkhazia, made with real young soldiers and partly shot in the thick of battle. It starts with the eagerness of students and intellectuals to volunteer for the Georgian army and ends with the deaths of many. Khaindrava, several times imprisoned for dissidence in USSR days, knows all about the conflict: he helped launch it when he was made Minister for Abkhazian Affairs - a post he soon quit. He should have watched Hell Is for Heroes before he took the job.

Soldiers in cars drive around the city day and night, erasing or covering with paint any drawing on the wall, even one that does not have political overtones. But for two “spontaneous protestors” - a writer who is refused to be published, and a young artist-photographer, whose art is also now not in honor, a kind of exchange of painted messages becomes the meaning of their existence in an era that seems to be not conducive to creativity.

The absurdity of war, where people lose the ability to communicate and moral values. The story of a woman and man who have lost the sense of reality, in Ionesco's absurd genre. Despite the constant conflict, they can no longer stay calm together. The war is over but they stay in a separate, isolated world - where is no fear but the silence.

37-year-old Irina, a doctor who returns home after serving a long sentence in prison. In order to start a new life and return to the society, Irina has to earn the trust of the people close to her. But does she need a place in such a society?