Run, Waiter, Run!

Run, Waiter, Run!

1981 · 88 min · ★ 7.1 · Comedy

A comedy concerning a down on his luck bookshop owner with a penchant for women who decides to make some money by pretending to be a waiter and collecting cash from unsuspecting diners.

Directed by Ladislav Smoljak · Written by Zdeněk Svěrák

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The fourteenth Cimrman play takes us to the heart of a continent almost untouched by civilization. Czech travelers encounter a strange tribe of cannibals and almost end up on their menu. The members of this tribe are unusual in two ways: their appearance and their extraordinary docility. These characteristics enabled Cimrman to solve linguistic and staging problems with an elegance that other world playwrights can only envy. If, say, G. B. Shaw had tackled such a theme, the audience would have spent 5 to 7 hours in the auditorium. Cimrman managed to do it in just one hour (not counting the introductory scientific seminar). For the first time in the history of the Jára Cimrman Theater, a live animal appears on stage.
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Czechoslovak comedy film directed by Ladislav Smoljak, about the fictional national hero Jára Cimrman (universal genius, inventor, sportsman, criminalist, poet, writer and philosopher).
The Conquest of the North PoleThe Conquest of the North Pole · 2007
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Cimrman's play about Czech expedition to north pole.
Marecek, Pass Me the Pen!Marecek, Pass Me the Pen! · 1976
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This comedy is about one average family. The father works as master in the factory and his son is studying on high school. One day father must start to visit the evening school. It's the same school as his son visiting. The lives both students are connecting together. The son must teach the math and physics his own father. The father getting to know, that the life of the students is not simple as he supposed.
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Cimrman sees the reason for the popularity of the Blanik legend in Bohemia mainly in the geographical location of our homeland. In agreement with Palacký, he was aware that "we are here in Europe like a grain between two millstones. From the west, German imperialism presses upon us, and from the east, the expansionism of the Great Russian colossus crushes us. It is no wonder that a small nation under such pressure seeks supernatural and even miraculous protection, for only a miracle can enable it to survive here."
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When late in life was presenting Cimrman his artistic activity, came arresting knowledge: none of the works he had signed, not recognition. And so he decided to retreat to the anonymity of the author and become folklore. Clairvoyantly recognized that the modern era marked for extinction of folk creativity in areas such as the national song, story, legend, proverb or weather lore. The only thing from the oral folklore of die and stay alive is an anecdote. And she plays a significant role in his play Lijavec.
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A sincere provincial young man, Frantisek Koudelka leaves to work in Prague. For the trip he buys a computer made horoscope with biorhythms charts, marked according to his date of birth, there are trappy, precarious, unsuccessful and even critical days and few successful days. The clumsy luckless person Frantisek has finally a guidance for his life.
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Mr Jiš managed to give his first script at Barrandov. Already in the preparatory phase, he discovers with horror that the filmmakers have completely bypassed his intention - instead of a probe into the life of a contemporary village, they are preparing a spectacular musical show, which they are convinced will be a hit with the audience. The very first shots speak volumes. An elegiac arrives in the village of Lipovec and is greeted with singing and dancing by all the local officials and ordinary citizens, as this coveted expert is to help them increase their hectare yields with his progressive methods. The filming continues in a similar vein, and the newly minted screenwriter can't help but wonder...
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The impetus for writing the play was a real event - the investigation of the loss of the class register at a boys' school in Vienna's 4th district. The perpetrator was most likely a student named F. Kirchner. Cimrman was a police inspector in Vienna's 4th district at the time, and the school principal turned to him when all educational measures had failed. Six police officers followed the suspect for three days, but to no avail. Cimrman therefore decided to influence Kirchner in a different way: he wrote a play about the theft, which was staged by the police department's drama club as a compulsory school performance. The author expected that seeing the suffering of the teacher, principal, and inspector during their futile investigation would lead the culprit to regret his actions and confess. However, the stubborn boy, the son of a nun, was not moved.
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In this movie, TV sets are full of life. If a person is in TV (e.g. because it was filmed on the street) it has a double that's right in the TV set. This double needs energy from the true character to survive. Each time, the real human watches TV, his Double will pull life energy from him. So there's a mysterious Death-serial. Many persons die in front of their TV set and nobody knows why. Olda, the main character, is one of the persons, that get more and more weak. He is near death, till Fisarek, the natural healer appears. He teaches Olda how he can resist this magic force and how he can fight it.
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After a soldier cuts off the arm of king's cousin, king decides to deactivate the army. Of course, generals don't like it at all and they try to kill the king. The assassin should be artificial body in the shape of actress Evelina Keleti and with brain of psychotic serial killer Fany Stubová. They also manage to kill king's astrologer Stuart Hampl, who warns the king. Accidentally, Hampl's brain is implanted into assassin's body, actress Keleti is killed and chaos begins.

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