Long, Broad and Nearsight

When late in life was presenting Cimrman his artistic activity, came arresting knowledge: none of the works he had signed, not recognition. And so he decided to retreat to the anonymity of the author and become folklore. Clairvoyantly recognized that the modern era marked for extinction of folk creativity in areas such as the national song, story, legend, proverb or weather lore. The only thing from the oral folklore of die and stay alive is an anecdote. And she plays a significant role in his play Lijavec.

Two passenger cars went to the team in Prague Cimrmanologists Liptáková in Jizera mountains to explore the rugged region Cimrman age. Already the journey itself was an adventure, but the result was worth it. The restaurant at the Orphans restored mural researchers Cimrman handwritten inscriptions in the old hoe handle up his anti-Habsburg discovered pamphlet "Its not hide the truth."

Cimrman sees the reason for the popularity of the Blanik legend in Bohemia mainly in the geographical location of our homeland. In agreement with Palacký, he was aware that "we are here in Europe like a grain between two millstones. From the west, German imperialism presses upon us, and from the east, the expansionism of the Great Russian colossus crushes us. It is no wonder that a small nation under such pressure seeks supernatural and even miraculous protection, for only a miracle can enable it to survive here."

Three passengers are traveling in the luxuriously appointed saloon car of an international express train: the famous Czech police inspector Trachta, the industrialist Meyer, who manufactures everything needed to keep warm (fur coats, rum, fireclay bricks), and the factory owner Bierhanzel, a manufacturer of hair-thickening ointment. At the Istanbul station, the trio is joined by the inspector’s protégé, police trainee Jindřich Hlaváček, who is finishing his thesis on train crime. The journey proceeds smoothly until factory owner Bierhanzel is struck by a toothache...

Poverty was one of the many unfortunate aspects of Cimrman's life. His traveling theater company, Lipany, suffered from high actor turnover. If an actor's departure was agreed upon well in advance, the situation could be managed. However, if it happened with shouting and slamming doors, often just a few hours before the performance, the troupe and its director experienced some tense moments. Such experiences form the backdrop to the play. Lovers of the work of this unrecognized Czech artist are now able to access testimony from this area of the master's life, in which his destiny was most fulfilled—the theater.

On the occasion of the opening of the famous Vienna "Riesenrad," a competition was held for the best operetta. A Czech, Jára Cimrman, also submitted his entry, a sweeping seven-hour work entitled "Proso." Due to what was perhaps his only negative trait, a slight stinginess, he did not send the score by registered mail, which allowed Franz Lehár, Johann Strauss, Oskar Nedbal, and other members of the jury to literally tear apart the brilliant operetta fresco. After many decades, a team of Czech Cimrmanologists has proven that the author of the world-famous melodies from Die Fledermaus, Polská krev, and many other operettas is the forgotten Pojizeřan Cimrman.

The result of a clash between two intellectual forces: the artist's irrepressible creative instinct and the equally irrepressible instinct of the small Czech self-sufficient farmer. While on the one hand we see an admirable effort to understand and portray the world and get to the essence of human behavior, on the other hand we encounter only a mundane effort to dry a few mushrooms for the winter. In the case of this play, Josef Padevět's small, bitter world unfortunately prevails.

One day in life of simple dispatcher who meets remarkable people. They want to harvest plums.

This traditional seminar will introduce you to the most basic facts about Jára Cimrman. The ensuing play will show how difficult it is for some people to come to terms with new knowledge from their past.

The impetus for writing the play was a real event - the investigation of the loss of the class register at a boys' school in Vienna's 4th district. The perpetrator was most likely a student named F. Kirchner. Cimrman was a police inspector in Vienna's 4th district at the time, and the school principal turned to him when all educational measures had failed. Six police officers followed the suspect for three days, but to no avail. Cimrman therefore decided to influence Kirchner in a different way: he wrote a play about the theft, which was staged by the police department's drama club as a compulsory school performance. The author expected that seeing the suffering of the teacher, principal, and inspector during their futile investigation would lead the culprit to regret his actions and confess. However, the stubborn boy, the son of a nun, was not moved.

The fourteenth Cimrman play takes us to the heart of a continent almost untouched by civilization. Czech travelers encounter a strange tribe of cannibals and almost end up on their menu. The members of this tribe are unusual in two ways: their appearance and their extraordinary docility. These characteristics enabled Cimrman to solve linguistic and staging problems with an elegance that other world playwrights can only envy. If, say, G. B. Shaw had tackled such a theme, the audience would have spent 5 to 7 hours in the auditorium. Cimrman managed to do it in just one hour (not counting the introductory scientific seminar). For the first time in the history of the Jára Cimrman Theater, a live animal appears on stage.

The original score was in a sorry state: the notes were carelessly marked, the lines were broken, and the paper was covered in smudges. I took the utmost care in reconstructing it: I erased the smudges, traced the lines with a ruler, blackened the bellies of the quarter notes, and added tails to the eighth and sixteenth notes. I believe that today's version of the work will stand up to even the most rigorous standards.

Jára Cimrman in the whirlwind of the past forty years, as discovered, recorded, and brought to life by the theater.

Cimrman's play about Czech expedition to north pole.

The Jára Cimrman Theater staged its first premiere exactly 50 years ago, on October 4, 1967. Its members celebrated the half-century anniversary with a special program that included scenes from plays by the trio of authors Cimrman, Smoljak, and Svěrák, which have since become cult classics. Psaní do nebe (Writing to Heaven) is a letter written by Zdeněk Svěrák to his long-time friend and colleague Ladislav Smoljak in connection with the 50th anniversary of the Jára Cimrman Theater. It became the backbone of the entire gala evening at the Žižkov Theater. The performance also included excerpts from productions and a number of other items.

One day in life of simple dispatcher who meets remarkable people. They want to harvest plums.

Czechoslovak comedy film directed by Ladislav Smoljak, about the fictional national hero Jára Cimrman (universal genius, inventor, sportsman, criminalist, poet, writer and philosopher).

Cimrman's play about Czech expedition to north pole.

This comedy is about one average family. The father works as master in the factory and his son is studying on high school. One day father must start to visit the evening school. It's the same school as his son visiting. The lives both students are connecting together. The son must teach the math and physics his own father. The father getting to know, that the life of the students is not simple as he supposed.

Cimrman sees the reason for the popularity of the Blanik legend in Bohemia mainly in the geographical location of our homeland. In agreement with Palacký, he was aware that "we are here in Europe like a grain between two millstones. From the west, German imperialism presses upon us, and from the east, the expansionism of the Great Russian colossus crushes us. It is no wonder that a small nation under such pressure seeks supernatural and even miraculous protection, for only a miracle can enable it to survive here."

A scientist meets a nice girl and they start dating. He decides the only way to find out for sure if she’s the one is to take a long trip with her, but things don’t go quite as he’d hoped.

After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.

A comedy about exchange of 12 apartments , which, its organizer, lawyer Radosta, rightly called Action Ball Lightning. To prepare, organize and execute the exchange of twelve apartments is a work worthy champions. Radosta, who was excellently played by Rudolf Hrušínský, solved all sudden difficulties and complications on the fly and with grace. To be sure that the on the D-day everything goes well he prepares a little rehearsal, which reveals many minor issues caused for example by wedding ordered to inappropriate term or hesitation of some participants. Last but not least a night exercise announced by drunk psychologist Knotků, creates a lot of confusion that nearly sabotaged the whole operation.

A sincere provincial young man, Frantisek Koudelka leaves to work in Prague. For the trip he buys a computer made horoscope with biorhythms charts, marked according to his date of birth, there are trappy, precarious, unsuccessful and even critical days and few successful days. The clumsy luckless person Frantisek has finally a guidance for his life.

The Lavicka's, a Czech family from the city, rents a house in the country with the option to buy. However, old Mr Komarek seems reluctant to sell the house as they agreed.

When late in life was presenting Cimrman his artistic activity, came arresting knowledge: none of the works he had signed, not recognition. And so he decided to retreat to the anonymity of the author and become folklore. Clairvoyantly recognized that the modern era marked for extinction of folk creativity in areas such as the national song, story, legend, proverb or weather lore. The only thing from the oral folklore of die and stay alive is an anecdote. And she plays a significant role in his play Lijavec.

Mr Jiš managed to give his first script at Barrandov. Already in the preparatory phase, he discovers with horror that the filmmakers have completely bypassed his intention - instead of a probe into the life of a contemporary village, they are preparing a spectacular musical show, which they are convinced will be a hit with the audience. The very first shots speak volumes. An elegiac arrives in the village of Lipovec and is greeted with singing and dancing by all the local officials and ordinary citizens, as this coveted expert is to help them increase their hectare yields with his progressive methods. The filming continues in a similar vein, and the newly minted screenwriter can't help but wonder...

A comedy concerning a down on his luck bookshop owner with a penchant for women who decides to make some money by pretending to be a waiter and collecting cash from unsuspecting diners.

The result of a clash between two intellectual forces: the artist's irrepressible creative instinct and the equally irrepressible instinct of the small Czech self-sufficient farmer. While on the one hand we see an admirable effort to understand and portray the world and get to the essence of human behavior, on the other hand we encounter only a mundane effort to dry a few mushrooms for the winter. In the case of this play, Josef Padevět's small, bitter world unfortunately prevails.

In this movie, TV sets are full of life. If a person is in TV (e.g. because it was filmed on the street) it has a double that's right in the TV set. This double needs energy from the true character to survive. Each time, the real human watches TV, his Double will pull life energy from him. So there's a mysterious Death-serial. Many persons die in front of their TV set and nobody knows why. Olda, the main character, is one of the persons, that get more and more weak. He is near death, till Fisarek, the natural healer appears. He teaches Olda how he can resist this magic force and how he can fight it.