The Leaden Echo and the Golden Echo

Margaret Tait documents her house, studio and garden in Buttquoy, Orkney as the seasons pass. She had lived there from the age of seven and often returned. At the time of filming, the house was about to be taken back by the council - this film is an effective 'goodbye'. Margaret Tait said it 'was meant to define a place, or the feeling of being in one place, with the sense this gives one, not of restriction but of the infinite variations available.'

A set of three 'film poems' composed around the theme of the garden - the central one featuring hand scratched animated drawings. Margaret Tait described them as follows: 'Round the Garden' - right round and round again, 'Garden Fliers' - flighty cartoon and a stunner of a piano piece and 'Grove' - grave and sonorous.

'Titles within the film are: Numen of the Boughs, Old Boots, Speed Bonny Boat, Lapping Water, Incense, Aha, Brave New World, Things, Terra Firma. A poem started in words is continued in images - Part of another poem as an addition to the picture - Some images formed by direct-on-film animation - Others 'found' by the camera" - MT

"Starting with a six-line script which just noted down a kind of event to occur, and recur, my aim was to construct a film with its own logic, its own correspondences within itself, and its own echoes and rhymes and comparisons, all through close exploration of the everyday, the commonplace, in the city of Edinburgh." - MT

"Touches on elemental images; air, water, (and snow), earth and fire (and smoke) all come into it." - MT

Another early experiment in portraiture from Tait. In filming her mother she asks the wider question of how much the camera can reveal of the person.

"This is a landscape study of an Orkney croft, with the figure of the crofter, Mary Graham Sinclair, very much in the picture. The croft is West Aith, on the edge of a small loch, which almost every passing visitor stops to photograph or draw or paint. I have been filming this beautiful place since 1977, observing many of the human activities which alter and define how it looks." Margaret Tait

The minutiae of daily life on Edinburgh's Rose Street in the fifties is presented in this impressionistic documentary piece.

In 1990s Edinburgh, Barbara Thorburn reflects on memories of her poet mother, Greta, and her tragic death.

Margaret Tait described this title as 'An eightsome reel played by Orkney Strathspey and Reel Society, recorded in about 1955 - 1956, later transferred to 35mm optical stock with clear picture and gradually painted over the years. Eights of different things - figures, antlers, or sometimes just blobs in tartan colours - dance their way through the figure of the reel.

Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.

Short film of an eclipse.

Scenes in and around the old city of Perugia in Umbria, Italy. Kodachrome

"Made in Edinburghs Rose Street, On the Mountain incorporates the whole of a previous film (Rose Street, 1956), including the leader and the titles. The original was shot in black and white, and the negative was lost, and for this reason Tait had the idea of preserving the film by framing it complete in colour , in a contrasted look at the same street in 1974. On the Mountain records and preserves the change. The camera broods and recognises the dustcart . Changed is too gentle a word, the street has ben ripped apart by the developers. An ugly modern precinct has emerged with shabby boutiques and plastic food. The back lane where the children played hopscotch reveals a gap site, a decaying Princess Street, with thumping machines and concrete." – Tamara Krikorian

General views of Edinburgh Royal Mile and Princes Street.

Affectionate observational shots of toddlers, school age girl and very new baby.