Blue Black Permanent

Margaret Tait documents her house, studio and garden in Buttquoy, Orkney as the seasons pass. She had lived there from the age of seven and often returned. At the time of filming, the house was about to be taken back by the council - this film is an effective 'goodbye'. Margaret Tait said it 'was meant to define a place, or the feeling of being in one place, with the sense this gives one, not of restriction but of the infinite variations available.'

A set of three 'film poems' composed around the theme of the garden - the central one featuring hand scratched animated drawings. Margaret Tait described them as follows: 'Round the Garden' - right round and round again, 'Garden Fliers' - flighty cartoon and a stunner of a piano piece and 'Grove' - grave and sonorous.

'Titles within the film are: Numen of the Boughs, Old Boots, Speed Bonny Boat, Lapping Water, Incense, Aha, Brave New World, Things, Terra Firma. A poem started in words is continued in images - Part of another poem as an addition to the picture - Some images formed by direct-on-film animation - Others 'found' by the camera" - MT

"Starting with a six-line script which just noted down a kind of event to occur, and recur, my aim was to construct a film with its own logic, its own correspondences within itself, and its own echoes and rhymes and comparisons, all through close exploration of the everyday, the commonplace, in the city of Edinburgh." - MT

"Touches on elemental images; air, water, (and snow), earth and fire (and smoke) all come into it." - MT

Another early experiment in portraiture from Tait. In filming her mother she asks the wider question of how much the camera can reveal of the person.

The minutiae of daily life on Edinburgh's Rose Street in the fifties is presented in this impressionistic documentary piece.

"This is a landscape study of an Orkney croft, with the figure of the crofter, Mary Graham Sinclair, very much in the picture. The croft is West Aith, on the edge of a small loch, which almost every passing visitor stops to photograph or draw or paint. I have been filming this beautiful place since 1977, observing many of the human activities which alter and define how it looks." Margaret Tait

A film interpretation of the poem 'The Leaden Echo and the Golden Echo' by Gerard Manley Hopkins. Margaret Tait speaks the poem throughout the film.

Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.

Margaret Tait described this title as 'An eightsome reel played by Orkney Strathspey and Reel Society, recorded in about 1955 - 1956, later transferred to 35mm optical stock with clear picture and gradually painted over the years. Eights of different things - figures, antlers, or sometimes just blobs in tartan colours - dance their way through the figure of the reel.

Unedited slates from a film called 'Survivor' filmed by Margaret Tait. Footage includes outdoor landscape and garden scenes, a fire burning in field and a man drinking tea in his study. [There appears to be no coherence to the footage] See also Additional Information file at 11/1/455. Paper Archives 4/5/119, 4/11/651, 4/5/92.

General views of Edinburgh Royal Mile and Princes Street.

Affectionate observational shots of toddlers, school age girl and very new baby.

Young women in Milan, rooftops and children. One of the women is possibly Margaret Tait. [shotlisted from MiniDV] gvs Milan main square, bustling crowds. Shot of woman with dog (0.07) women sitting on bench chatting (0.27) dog running along rooftops, children playing along rooftops [overexposed] [Could Margaret Tait be in the picture - not sure?] (1.28)

Footage of a yacht race and a (Highland?) Show in Kirkwall, as filmed by Margaret Tait. [this is possibly incomplete footage from her 'Aspects of Kirkwall' series?] See also Additional Information file at 11/1/455. Paper Archives 4/5/119, 4/11/651, 4/5/92. The Tait papers are deposited in Orkney Archives. Currently being catalogued. For any enquiries please contact Principal Archivist. The British Artist's Film and Video Study Collection at http://www.bftv.ac.uk/avantgarde based at Central St. Martin's College of Art and Design holds an artist's file on Margaret Tait. The British Film Institute National Library http://www.bfi.org.uk holds many of the published articles on her and her work. In 1979 Margaret Tait was the subject of a BBC Scotland 'Spectrum' arts programme.