Tanjuska and the 7 Devils

Max Sjöman, Architect: "This is the story of my daughter. Her life was short. Short is not purposeless. I brick her picture into the cornerstone of an atomic power station. It is my testament to the future generations. They'll see from that photograph what a healthy child once looked like."

Onni is a shoemaker, aged 70. Toivo is a blacksmith, aged 75. The film tells the story of their generation, from childhood through various stages to the present day. They have lived through the entire Finnish history of this century.

Documentary about Estonia's richest woman.

A documentary about a convent of Russian Orthodox nuns in Estonia who have dedicated their lives to serving God.

The director documents the events leading to a reunion with her estranged father.

Nine Ways to Approach Helsinki, shot by Pirjo Honkasalo and Eero Salmenhaara, is a documentary on the capital of Finland.

Helsinki, Forever is a montage film about the city of Helsinki by the award-winning Finnish film director and academic Peter von Bagh. The film draws a portrait of Helsinki and also acts as an essay on Finnish culture in a wider sense. It shows Helsinki as captured by leading Finnish feature film and documentary makers over a period of one hundred years.

The final film in The Trilogy of the Sacred and the Satanic, Atman is a spectacular epic across India, all documented on stunning 35mm. When his mother dies, a devout Hindu man named Jamana Lal begins a 3,000-mile journey in her honor. The destination is the holy city of Haridwar, but to get there, Lal, a 35-year-old whose legs have been paralyzed since childhood, must travel up the Ganges River. He is joined by his brother and his wife as well as by director Pirjo Honkasalo and her small, intrepid crew. Midway through, a miracle occurs, as Lal crosses paths with a kindhearted woman named Shanta. Atman blossoms into a love story for the ages.

Docudrama about the Soviet occupation of a Finnish village in the fall before the Winter War.

An earthy, naturalistically erotic and blood-soaked tale of young Martta's ill-fated affair with Oula, a womanizing reindeer herdsman in the Finnish Lapland of the late 1940s. When the 19-year-old girl turns up pregnant, her alcoholic father is outraged and a series of tragic events follows

Jörn Donner’s entire production can be considered as a self-portrait, a life-spanning performance. Whilst others have painted one image or another of Donner, John Webster’s interpretation differs in that it pulls most of its material from Donner’s last-intended interview in December 2019, and an immense never-before-seen collection of photographs from albums simply labelled “Donner – Privat”. As a result, the film morphs into an epilogue of sorts, of Donner’s life story.

Interwoven with scenes that are meant to grab attention by their stunning composition, this biographical look at Finland's violinist Arto Arsi is not so much a narration of his childhood and early years, as an attempt to artistically show what was happening inside his psyche during that time. Literally sold to a master teacher, Sergei Rippas (Tarmo Manni) by his mother when he was still a child, the violin prodigy was forcefully and strictly raised to practice, practice, and perfect his technique. Once an adult, Arsi finds a way to escape the rigors of a U.S. tour and drowns his overworked self in drink, or seeks out one-night stands, or otherwise lets off steam. The tightly-wound spring that has been coiled since he was forced into his grueling training and work sessions -- shown through symbolic images -- eventually snaps in a healthy way, freeing Arsi at last to continue on, simply for the love of music.

A 14-year-old boy in a stifling Helsinki slum takes some unwise life lessons from his soon-to-be-incarcerated older brother.

Olavi Koskela, a ladies' man, joins the loggers. As a log driver, Olavi travels from place to place, seducing one girl after another and then abandoning them. Only Kyllikki, the daughter of a wealthy family, is able to resist his advances and incites him to challenge another log driver to a race down the rapids. Through Kyllikki, Olavi is forced to face the consequences of his actions and reflect on the meaninglessness of his life.

Uuno Turhapuro is a lazy man who abhors manual labor, but has the ability to talk himself out of any sticky situation, usually with his long-suffering wife. In this, his first feature film appearance, Uuno embarrasses his wife in public, tricks his best friend, accidentally goes on a diet, and becomes a famous violinist.

The twin sisters Helena and Irene are born in Helsinki during World War II. A few months later their mother, Sirkka, leaves the girls in the care of their grandmother, an old communist, and runs away with a German soldier. Their life under the protection of their grandmother and the teachings of communism ends first with the death of Stalin, then with that of their grandmother. The girls are eight years old when they are put in an orphanage. Their mother shows up at the orphanage in the company of Ramon, a Spanish trapeze artist. They are on a talent search for a German circus. Ramon trains the reluctant Irene during circus tours in Central Europe. She becomes the trapeze star of the circus. The hard work soon exhausts Irene and she falls from height, as if on purpose. Helena has secretly learned the art of fire-eating. Now she is burdened with both her mother and her sister. The violent life, however, separates the three from each other. In the present-day Helsinki the middle-aged...