Pirjo Honkasalo

Finnish porn movie producer Pertsa returns from America to his home country to continue his profession with hopelessly small budgets and incompetent casts and crews. A self-ironic satire about director Donner's scandalous fame in late 1960s Finland, notorious for a graphic long shot of his penis pointing northeast.

Nine Ways to Approach Helsinki, shot by Pirjo Honkasalo and Eero Salmenhaara, is a documentary on the capital of Finland.

Olavi Koskela, a ladies' man, joins the loggers. As a log driver, Olavi travels from place to place, seducing one girl after another and then abandoning them. Only Kyllikki, the daughter of a wealthy family, is able to resist his advances and incites him to challenge another log driver to a race down the rapids. Through Kyllikki, Olavi is forced to face the consequences of his actions and reflect on the meaninglessness of his life.

Uuno Turhapuro is a lazy man who abhors manual labor, but has the ability to talk himself out of any sticky situation, usually with his long-suffering wife. In this, his first feature film appearance, Uuno embarrasses his wife in public, tricks his best friend, accidentally goes on a diet, and becomes a famous violinist.

Teenager Erik returns from Paris to Finland in a rowboat and is accosted by a gang of youths in the countryside. He walks to Helsinki, returns to his parents' home and his old high school filled with angry radical teens who, typically for the era, consider the teacher-imposed discipline as another form of capitalist imperialism. Almost reluctantly Erik drifts together with Annika, a girl from a wealthy family, and starts experimenting with sex and marijuana. In the same nonchalant manner Erik gets involved in demonstrations and school politics which escalate into a violent school strike leading to police intervention and heavy sanctions.

Helsinki, Forever is a montage film about the city of Helsinki by the award-winning Finnish film director and academic Peter von Bagh. The film draws a portrait of Helsinki and also acts as an essay on Finnish culture in a wider sense. It shows Helsinki as captured by leading Finnish feature film and documentary makers over a period of one hundred years.

A documentary about Tanjuska who is a 12-year-old White-Russian schoolgirl, with a face like an icon. Two years ago she stopped eating, then talking and finally she stopped growing. The village priest in Estonia has explained to the family that seven devils have made a home inside Tanjuska. These devils are giving her orders and only a daily ceremony can force the devils to leave the girl.

An earthy, naturalistically erotic and blood-soaked tale of young Martta's ill-fated affair with Oula, a womanizing reindeer herdsman in the Finnish Lapland of the late 1940s. When the 19-year-old girl turns up pregnant, her alcoholic father is outraged and a series of tragic events follows

A story about Marja Maronen, a 30-year-old office worker who is self-centered and pursues love and wealth. After her father's death, Marja is plunged into a crisis that shakes her entire life, the consequences of which are particularly reflected in her relationships and working life.

A 14-year-old boy in a stifling Helsinki slum takes some unwise life lessons from his soon-to-be-incarcerated older brother.

The director documents the events leading to a reunion with her estranged father.

Max Sjöman, Architect: "This is the story of my daughter. Her life was short. Short is not purposeless. I brick her picture into the cornerstone of an atomic power station. It is my testament to the future generations. They'll see from that photograph what a healthy child once looked like."

A documentary about a convent of Russian Orthodox nuns in Estonia who have dedicated their lives to serving God.

Docudrama about the Soviet occupation of a Finnish village in the fall before the Winter War.

Jörn Donner’s entire production can be considered as a self-portrait, a life-spanning performance. Whilst others have painted one image or another of Donner, John Webster’s interpretation differs in that it pulls most of its material from Donner’s last-intended interview in December 2019, and an immense never-before-seen collection of photographs from albums simply labelled “Donner – Privat”. As a result, the film morphs into an epilogue of sorts, of Donner’s life story.

The final film in The Trilogy of the Sacred and the Satanic, Atman is a spectacular epic across India, all documented on stunning 35mm. When his mother dies, a devout Hindu man named Jamana Lal begins a 3,000-mile journey in her honor. The destination is the holy city of Haridwar, but to get there, Lal, a 35-year-old whose legs have been paralyzed since childhood, must travel up the Ganges River. He is joined by his brother and his wife as well as by director Pirjo Honkasalo and her small, intrepid crew. Midway through, a miracle occurs, as Lal crosses paths with a kindhearted woman named Shanta. Atman blossoms into a love story for the ages.

The twin sisters Helena and Irene are born in Helsinki during World War II. A few months later their mother, Sirkka, leaves the girls in the care of their grandmother, an old communist, and runs away with a German soldier. Their life under the protection of their grandmother and the teachings of communism ends first with the death of Stalin, then with that of their grandmother. The girls are eight years old when they are put in an orphanage. Their mother shows up at the orphanage in the company of Ramon, a Spanish trapeze artist. They are on a talent search for a German circus. Ramon trains the reluctant Irene during circus tours in Central Europe. She becomes the trapeze star of the circus. The hard work soon exhausts Irene and she falls from height, as if on purpose. Helena has secretly learned the art of fire-eating. Now she is burdened with both her mother and her sister. The violent life, however, separates the three from each other. In the present-day Helsinki the middle-aged...

Long-time cohabiting couple Petteri and Liisa wake up with a terrible hangover and realize to their horror that they got married the night before. Throughout the day, the couple argues and reminisces about their previous relationships, but by evening they are ready to reconcile.

Interwoven with scenes that are meant to grab attention by their stunning composition, this biographical look at Finland's violinist Arto Arsi is not so much a narration of his childhood and early years, as an attempt to artistically show what was happening inside his psyche during that time. Literally sold to a master teacher, Sergei Rippas (Tarmo Manni) by his mother when he was still a child, the violin prodigy was forcefully and strictly raised to practice, practice, and perfect his technique. Once an adult, Arsi finds a way to escape the rigors of a U.S. tour and drowns his overworked self in drink, or seeks out one-night stands, or otherwise lets off steam. The tightly-wound spring that has been coiled since he was forced into his grueling training and work sessions -- shown through symbolic images -- eventually snaps in a healthy way, freeing Arsi at last to continue on, simply for the love of music.

TV Documentary about Ingmar Bergman from 1998.

A biographical documentary following the life of a young Japanese priest and bar-owner.

Onni is a shoemaker, aged 70. Toivo is a blacksmith, aged 75. The film tells the story of their generation, from childhood through various stages to the present day. They have lived through the entire Finnish history of this century.

A searing examination of the unrelenting Chechen conflict, observed through the prisms of a Russian military boys academy, a war-torn town and a children's refugee camp.

Lasse is a car salesman who has vowed to never get married. He wakes up hung over one morning with a wedding ring on his finger and a nude woman in his bed.