In Which We Live: Being the Story of a Suit Told by Itself

A short comedy about dentistry by the doctor and (at this point) amateur film-maker Richard Massingham.

Comedy of the theft of a poodle by a villain and the chase after him.

Styles of architecture used in the 1951 South Bank Exhibition, London.

A bitter burglar, a prostitute and an elderly shoplifter spend their first day out of jail.

A trip to the theatre changes a meek bank clerk's life, as he undergoes hypnosis and leaves without being woken up. Suddenly, he believes he is the world's greatest lover and becomes a terrorizing Casanova.

This film explains how sneezing in public can spread disease, and shows how using a handkerchief can stop it.

Men from Scotland Yard and military intelligence build a dossier on a sabotage ring.

A brisk GPO Film Unit promo for the Post Office Savings Bank: pub talk and daydream vignettes tout penny-by-penny thrift, peaking in a playful Norman McLaren passage where household furniture springs to life—selling the idea that “many a little makes a lot.”

The story of a family house through four generations

Short road safety film.

Describes the many by-products resulting from the carbonisation of coal.

A provoking film on the place of women.

“During the Second World War, blackout regulations were imposed to make it harder for enemy aircraft to find their targets over Britain. This plunged parts of the country into darkness and made travelling by road especially dangerous. It was hoped that the resulting increase in road accidents could be curtailed, by encouraging road users to follow some of the featured safety precautions.” - BFI

“Catching up with gossip, inspecting new ducklings, clambering over gates, walking across meadows - the life of a postman appears idyllic, but this Devon postie has some startling ideas about improving efficiency... The inimitable Richard Massingham, a doctor turned actor and filmmaker, co-directed this film, and appears in it as the testy Mr Proctor. This film was produced by John Grierson, often hailed as the father of British documentary. It was made for the General Post Office (GPO) Film Unit, one of the most remarkable creative institutions that Britain has produced. It provided a springboard for many of the best-known and critically acclaimed figures in the British Documentary Movement.” - BFI

National insurance made amusing by the eccentric Richard Massingham.

Another of Richard Massingham's films about the dangers of sneezing and germ transmission, and what to do with used handkerchiefs