Women After the War

A short comedy about dentistry by the doctor and (at this point) amateur film-maker Richard Massingham.

Comedy of the theft of a poodle by a villain and the chase after him.

Styles of architecture used in the 1951 South Bank Exhibition, London.

A bitter burglar, a prostitute and an elderly shoplifter spend their first day out of jail.

A trip to the theatre changes a meek bank clerk's life, as he undergoes hypnosis and leaves without being woken up. Suddenly, he believes he is the world's greatest lover and becomes a terrorizing Casanova.

This film explains how sneezing in public can spread disease, and shows how using a handkerchief can stop it.

Men from Scotland Yard and military intelligence build a dossier on a sabotage ring.

A brisk GPO Film Unit promo for the Post Office Savings Bank: pub talk and daydream vignettes tout penny-by-penny thrift, peaking in a playful Norman McLaren passage where household furniture springs to life—selling the idea that “many a little makes a lot.”

Government information film on how to get maximum wear from a man's suit, narrated by one such suit in the form of an autobiography.

The story of a family house through four generations

Short road safety film.

A man extols the enjoyment that can still be had in a bath restricted to the wartime allowance of five inches of hot water.

Another of Richard Massingham's films about the dangers of sneezing and germ transmission, and what to do with used handkerchiefs

Describes the many by-products resulting from the carbonisation of coal.

“Catching up with gossip, inspecting new ducklings, clambering over gates, walking across meadows - the life of a postman appears idyllic, but this Devon postie has some startling ideas about improving efficiency... The inimitable Richard Massingham, a doctor turned actor and filmmaker, co-directed this film, and appears in it as the testy Mr Proctor. This film was produced by John Grierson, often hailed as the father of British documentary. It was made for the General Post Office (GPO) Film Unit, one of the most remarkable creative institutions that Britain has produced. It provided a springboard for many of the best-known and critically acclaimed figures in the British Documentary Movement.” - BFI

National insurance made amusing by the eccentric Richard Massingham.