The Path

The Path

1960 · 18 min · ★ 4.9 · Drama

"My first film, THE PATH, was based on a dream about a group of people on an ‘outing’ or a picnic. The people in the dream meet and greet one another and then walk around and through old houses, barns, and buildings. Inside these structures they pass by other people involved in various activities. A woman is folding clothes. A man is making paintings. A young girl is sitting in front of a mirror trying on different necklaces." - Richard Myers. Preserved by the Academy Film Archive in 2007.

Directed by Richard Myers

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ZOCALO is a color, optically-printed experiment that uses as its base the Zocalo Square in Mexico City. Unlike my other films … it began as a class experiment … and because of my feelings towards the square itself … pursued it in all its variations … finished in December 1972.
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In Floorshow he presents a rich stream-of-consciousness flow of images that encompass past, present, and fantasy, a contemplation of the filmmaking process, and film aesthetics. Myers makes a bolder-than-ever attempt to break down the barriers between the conscious and subconscious, the making of a film and the film itself. What Myers projects is an acutely personal vision of life so beautifully shaped and paced that we're able to connect with it even if we cannot expect to decipher its private meanings.
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The CoronationThe Coronation · 1965
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Myers' CORONATION ranks with the two or three very best experimental films of 1965, according to George Manupelli
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1974
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As powerful and complex as is AKRAN, 37-73 is more taut, richer in associative meaning .... 37-73 is about dreams, about memory and its associations with nightmare and magic.
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MOVING PICTURES began with a dream I had about a woman walking beside a woods and singing a beautiful aria. I didn’t remember the song, but for the film I selected Plaisir d’Amour by Jean Paul Égide Martini. The film soon became a series of other dream ideas as well. I wanted every scene in the film to be a tracking shot, moving from right to left like a dream scroll. I wanted the film to be quiet and contemplative, and I didn’t want to use subtitles.
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"In FIRST TIME HERE, I attempted to freely associate two or three dreams with the story of the four women who had an atomic bomb display at a carnival. I wanted the film to be a fantasy which represented various life cycles and, in a sense, to be a celebration of the absurd mess man has gotten himself into."

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