El Norte

Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the last of the six films, "The American Tapestry," filmmaker Gregory Nava takes viewers on an uplifting and challenging journey through the memoirs of five immigrant families, each one on a quest for its own American Dream. Beautifully interweaving accounts from several generations, Nava composes an astonishing tapestry of personal triumphs and tragedies, as each story of courage unfolds. The American Dream is an elusive thing, and the lives of the people in Nava's film are both triumphant and tragic, teeming with optimism and sometimes despair. They expose the finest and worst in America as well as what we feel most magnificent and dreadful. They are part of the many contrasting threads that make up the American tapestry — a complex portrait of a nation at the turn of the millennium.

The head of the household, Jess Gonzalez, is your average father who is forced to fight everyday troubles, following the death of his loving wife Berta. Their beloved daughter Nina has recently graduated from law school and decides to work for Legal Services on behalf of immigrant rights, although Jess does not agree with her decision. The rest of the Gonzalez family just tries to go with the flow, but they find their own problems down the road.

In this biographical drama, Selena Quintanilla is born into a musical Mexican-American family in Texas. Her father, Abraham, realizes that his young daughter is talented and begins performing with her at small venues. She finds success and falls for her guitarist, Chris Perez, who draws the ire of her father. Seeking mainstream stardom, Selena begins recording an English-language album which, tragically, she would never complete.

Traces over three generations an immigrant family's trials, tribulations, tragedies, and triumphs. Maria and Jose, the first generation, come to Los Angeles, meet, marry, face deportation all in the 1930s. They establish their family in East L.A., and their children Chucho, Paco, Memo, Irene, Toni, and Jimmy deal with youth culture and the L.A. police in the '50s. As the second generation become adults in the '60s, the focus shifts to Jimmy, his marriage to Isabel (a Salvadorian refugee), their son, and Jimmy's journey to becoming a responsible parent.

A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.

In the turn of the century South, a woman feels unfulfilled by marriage and motherhood and has an affair with a younger man. Later, the woman leaves her family and tries to start a new life alone.

American Playhouse is an anthology television series periodically broadcast by Public Broadcasting Service in the United States.

Documentary about the presence of Latin American culture and actors in American movies.

Director Gregory Nava's award-winning student film.

In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.

This ghost story, set at the turn of the century, centers on the plight of elderly dowager Marianna, who is tormented by the alleged specter of a young man roaming the corridors of her mansion. After spotting a face in an old photograph that seems to match the old woman's description of the "visitor", Marianna's sister decides to check things out and see if any of this is for real.

American corporations are using the North American Free Trade Agreement by opening large maquiladoras right across the United States–Mexico border. The maquiladoras hire mostly Mexican women to work long hours for little money in order to produce mass quantity products. Lauren Adrian, an impassioned American news reporter for the Chicago Sentinel wants to be assigned to the Iraq front-lines to cover the war. Instead, her editor George Morgan assigns her to investigate a series of slayings involving young maquiladora factory women in a Mexican bordertown.

World War II provides the setting for a melodramatic tale of love and revenge.

In medieval Spain, an young, traveling philosopher tragically falls in love with his pupil, when he is hired by an uneducated Lord to tutor his beautiful wife.

“In this conversation, recorded for the Criterion Collection in Los Angeles in 2023, filmmaker Gregory Nava talks with director John Sayles about the development and production of Lone Star and Sayle’s career in independent cinema.”