Growing Up

...made to educate and warn Canadian troops about the dangers of catching venereal disease. As the biblical title suggests, it is essentially a straight sermon, a form that its target audience would have found familiar both from church at home and during their military service. The protagonist is warned, is tempted to ignore the advice, is rescued in the nick of time by a well-wisher and is finally shown the devastating consequences in another that he has so narrowly avoided. (BFI Screenonline)

A man contracts a sexually transmitted disease, but is reluctant to seek medical help - until a no-nonsense lecture about the risks he is taking forces him to change his mind.

How To Tell was produced to advise parents on how to equip their children with the truth about reproduction, without the worry of putting the family off their dinner. The title cards encourage parents to explain the process openly and scientifically by reinforcing the school's biology lessons with the assistance of plants and pet rabbits.

The courtship rituals of animals and plants are compared to those of contemporary society, with educational and frequently humorous results.

A man feels so much guilt over being infected by venereal disease that he conjures up a personal trial over his own behaviour.

In this dramatized warning to young women of the risks of venereal disease, Betty, a shop girl, pays a severe price for just one 'slip'.

The lecturer shows a microcinematographic sequence of spirochaetes and drawings of the gonoccus (the bacteria responsible for syphilis and gonorrhea). He then turns to an easel and begins to draw 'the road of health'; the cartoon takes this up in magic drawing, in a style that is highly reminiscent of the 'Giro the Germ' series made for the Health and Cleanliness Council a few years before.

George and Katherine plan to marry but war breaks out. When he returns on two weeks leave, but has his marriage proposal put down by Katherine, George enters a relationship with another woman.

A short animated War Office commissioned health education film, showing the fate of each of the 6 jungle soldiers.

Reported cases of sexually transmitted disease took a sharp rise during and after World War II, but as this film testifies, sexual license amongst soldiers on the frontline wasn't the sole cause. Back on the home front, for many women, like Joan from No. 19, loneliness or newfound independence acted as an incentive to extramarital promiscuity.

After several farmyard analogies featuring chicks and calves, the well-spoken narrator and director of the film, Winifred Holmes, considers the subject of girls and how they reach adulthood and readiness for the 'important job of motherhood.

A basic sex education film designed for young engaged couples.

In New York City, a relationship is threatened when a young man discovers he's caught syphilis from a tryst with a waitress named Ellie. This threatens his relationship with a new girl. Film critic Amy Taubin co-stars as the new girl who gets the bad news. The director is apparently the same man who edited Fritz Lang's The Testament of Dr. Mabuse.

The brutally entitled Don't Be Like Brenda (1973) is an eight-minute lecture to young women, telling them not to be sexually promiscuous like the film's hapless heroine – although heaven knows, the promiscuity hinted at here is tragically modest. Poor Brenda goes all the way with a boy who does not marry her. The film is stunningly without any useful educational content on contraception and makes it entirely clear that the woman, not the man, is to blame. The film even makes her poor unwanted child suffer from a heart defect, so that no one wants to adopt the poor little thing – just to hammer the point home. (from: http://www.theguardian.com/film/filmblog/2009/feb/11/sex-education-films)

A production of Oxford Polytechnic for sponsor the Family Planning Association, this is an unreservedly hairy promotion of the prophylactic in avoiding unwanted pregnancies. A wave of period details situate the film in both time and milieu. The culture of its audience, 1970s students, is evoked and displayed via a mattress on the floor, an ethnic rug, the kilim bedpsread, homebrew jars, denim clothes and by hair: long hair, facial hair - beards. The main actors are dead ringers for the infamous cover stars of Alex Comfort's The Joy of Sex, published the year before.

A trip around the clubs, pubs and discotheques in London, England.

A scrap dealer is making a profit out of wrecked cars, but trouble starts when one of his men demands more money.

Delger, "the man who gets things done", finds himself involved in London's vice world, in between sleeping with his two neighbours Elaine and Wendy, a masseuse who "can't give a man a massage without turning him on".

Documentary feature about the great days of variety.

England, 1645. The cruel civil war between Royalists and Parliamentarians that is ravaging the country causes an era of chaos and legal arbitrariness that allows unscrupulous men to profit by exploiting the absurd superstitions of the peasants; like Matthew Hopkins, a monster disguised as a man who wanders from town to town offering his services as a witch hunter.

An aging hypnotist creates a device that allows the user to control the mind of another person, but his wife abuses its power by manipulating a younger man to commit evil acts.

The sensational follow-up to "London in the Raw," "Primitive London" sets out to reflect society's decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.

Two frustrated wives decide to visit a health farm for a weekend where they become involved in orgies while their husbands amuse themselves at work in a similar fashion.

A scientist working with genetics creates a horrifying flying creature that feeds on human blood. Following a gruesome trail of dead bodies, Scotland Yard investigators must scramble to halt its ravenous rampage.

Produced and directed by sexploitation double-act Stanley Long and Arnold Louis Miller, NUDES OF THE WORLD sees a group of international beauty queens turn an English stately home into a nudist camp, with unexpected results. This movie broke box office records in London in 1961 and features narration by Blue Peter's legendary Valerie Singleton.

1961 documentary about the history and seedy reality of the sex industry in London's Soho.

G.G. Passion is a successful pop star whose life is a whirlwind of adoring fans, beautiful women and expensive cars. But while he enjoys the fruits of his celebrity lifestyle, a secret group of observers is judging whether his fame and influence is beneficial to society as a whole.

Influenced by the worldwide success of Italian 'Mondo' movies, British low-budget movie mogul Arnold Louis Miller concocted this exploitation-style documentary. Peering behind the grimy net curtains of London life into seedy bars and clubs, and burrowing beneath the glittering façade of the capital's glamorous cocktail lounges and casinos, "London in the Raw" presents a cynical, sometimes startling, vision of life in 1960s London.

One Windmill girl tells the tragic history of another who took to drink and, finally, killed herself after working in strip clubs.

Several attractive girls travel, by various means (plane, vintage car, hitch-hiking), to a nudist camp in the South of France.

Nudist Memories is a 1959 British naturist film. It was inspired by the success of Nudist Paradise and was a success at the box office.