A Test for Love

...made to educate and warn Canadian troops about the dangers of catching venereal disease. As the biblical title suggests, it is essentially a straight sermon, a form that its target audience would have found familiar both from church at home and during their military service. The protagonist is warned, is tempted to ignore the advice, is rescued in the nick of time by a well-wisher and is finally shown the devastating consequences in another that he has so narrowly avoided. (BFI Screenonline)

A man contracts a sexually transmitted disease, but is reluctant to seek medical help - until a no-nonsense lecture about the risks he is taking forces him to change his mind.

How To Tell was produced to advise parents on how to equip their children with the truth about reproduction, without the worry of putting the family off their dinner. The title cards encourage parents to explain the process openly and scientifically by reinforcing the school's biology lessons with the assistance of plants and pet rabbits.

The courtship rituals of animals and plants are compared to those of contemporary society, with educational and frequently humorous results.

A man feels so much guilt over being infected by venereal disease that he conjures up a personal trial over his own behaviour.

The lecturer shows a microcinematographic sequence of spirochaetes and drawings of the gonoccus (the bacteria responsible for syphilis and gonorrhea). He then turns to an easel and begins to draw 'the road of health'; the cartoon takes this up in magic drawing, in a style that is highly reminiscent of the 'Giro the Germ' series made for the Health and Cleanliness Council a few years before.

George and Katherine plan to marry but war breaks out. When he returns on two weeks leave, but has his marriage proposal put down by Katherine, George enters a relationship with another woman.

A short animated War Office commissioned health education film, showing the fate of each of the 6 jungle soldiers.

Reported cases of sexually transmitted disease took a sharp rise during and after World War II, but as this film testifies, sexual license amongst soldiers on the frontline wasn't the sole cause. Back on the home front, for many women, like Joan from No. 19, loneliness or newfound independence acted as an incentive to extramarital promiscuity.

After several farmyard analogies featuring chicks and calves, the well-spoken narrator and director of the film, Winifred Holmes, considers the subject of girls and how they reach adulthood and readiness for the 'important job of motherhood.

A basic sex education film designed for young engaged couples.

In New York City, a relationship is threatened when a young man discovers he's caught syphilis from a tryst with a waitress named Ellie. This threatens his relationship with a new girl. Film critic Amy Taubin co-stars as the new girl who gets the bad news. The director is apparently the same man who edited Fritz Lang's The Testament of Dr. Mabuse.

Freedom of expression and sexual liberation might have defined the 1960s but by 1971 the British education system was far from ready for Dr Cole's explicit series A New Approach to Sex Education. Made as a teaching aid for use in schools an universities, the Growing Up was unprecedented in its depictions of erect penises, un-simulated masturbation and intercourse to describe the development of the human body and sexuality to students.

The brutally entitled Don't Be Like Brenda (1973) is an eight-minute lecture to young women, telling them not to be sexually promiscuous like the film's hapless heroine – although heaven knows, the promiscuity hinted at here is tragically modest. Poor Brenda goes all the way with a boy who does not marry her. The film is stunningly without any useful educational content on contraception and makes it entirely clear that the woman, not the man, is to blame. The film even makes her poor unwanted child suffer from a heart defect, so that no one wants to adopt the poor little thing – just to hammer the point home. (from: http://www.theguardian.com/film/filmblog/2009/feb/11/sex-education-films)

A production of Oxford Polytechnic for sponsor the Family Planning Association, this is an unreservedly hairy promotion of the prophylactic in avoiding unwanted pregnancies. A wave of period details situate the film in both time and milieu. The culture of its audience, 1970s students, is evoked and displayed via a mattress on the floor, an ethnic rug, the kilim bedpsread, homebrew jars, denim clothes and by hair: long hair, facial hair - beards. The main actors are dead ringers for the infamous cover stars of Alex Comfort's The Joy of Sex, published the year before.

Taking its title from Harold Macmillan's widely-reported Cape Town speech about the process of decolonisation in Africa, The Wind of Change showed the other side of the coin: the impact of colonial immigration at 'home'. The film deals with the 'colour problem' within the context of Teddy boy violence.

Down on their luck, a couple rent out their ship to a mysterious man looking for treasure he'd hidden during the war. Complications ensue when it turns out he's not the only one looking for it.

The Human Jungle is a British TV series about a psychiatrist, made for ABC Television by the small production company Independent Artists for transmission on ITV. Starring Herbert Lom, it ran for two series which were first transmitted during 1963 and 1965.

Burt Lancaster plays a pirate with a taste for intrigue and acrobatics who involves himself in the goings on of a revolution in the Caribbean in the late 1700s. A light hearted adventure involving prison breaks, an oddball scientist, sailing ships, naval fights and tons of swordplay.

Returning late to London, Johnny gives a lift to an attractive female hitch-hiker. Some distance on, he stops to make a phone call and buy a coffee, but on returning to his cab finds the woman gone. Assuming she has hitched another ride, he continues on his way. A short time later he is flagged down by another driver, who has come across a woman lying by the roadside. The woman is Johnny's hitchhiker and she's dead.

When George discovers that he has won the pools, there is huge excitement in the household. But it turns out that it's his son who has won, in partnership with the son of a woman against whom George has some ill feelings.

A Cockney family inherit a ramshackle Devon farm. The rest of the family don't want to leave London but the father insists and off they go, to face the unknown.

During a bank robbery, the manager and a cashier are locked in the strongroom, while the crooks escape. Later, when the gang realise that their plan to release the pair has gone wrong, they return to the bank to try and release them before the police turn up.

A young couple go to check out a house they're thinking of buying. A somewhat mysterious woman tells the couple several stories of the fates that befell the house's previous owners.

The Silver Fleet was inspired by a true story from World War II. Holland now under German occupation, a Shipyard owner and Chief engineer Jaap van Leyden is summoned to build ships for the German war effort. The commission would allow Leyden to build sophisticated submarines whilst safeguarding jobs for the local Dutch workforce. A newly built U-boat, named U107 goes out on her first sea trial and is hijacked by a Dutch crew and they re-route the vessel to England. As such it provided an opportunity to refuel patriotism in the face of a seemingly interminable war and almost unbearable civilian hardship.

Two thugs rob a bookmaker as he leaves a dog track with his winnings, but complications begin to arise when they discover that his case full of money is chained to his wrist.

A boxer and war-time Telephone Engineer (Lee Patterson) is lured into a murder cover-up plot by a scheming woman ( Faith Domergue).

While perusing the books of an engineering company, fastidious auditor Frank Manning encounters rum goings on when he is approached by a woman who claiming she is being blackmailed. She begs him to find certain letters and he eventually agrees. Having obtained the letters, he takes them to a specified address where, to his horror, he finds a man, fully clothed, dead in the bath.

Because she dials the wrong number, an old lady hears information which enables the police to solve a robbery and murder.

A gambler tries to strike it rich at the racetrack but gets taken by a gorgeous blonde who also happens to be a crook.

The ghosts of two stupid 18th-century officers are doomed to haunt a Berkeley Square mansion until the unlikely event of a reigning monarch paying the house a visit. It will take more than 200 years... Based on the novel "No Nightingales" by Caryl Brahms and S.J. Simon.