The Adventures of Paper Peter

Willy, seven years old, is more interested in books than sports while his father, ex-football star, is determined to make a football player out of him. Willy realizes that he cannot live up to his father's expectations but feels compelled to give him what he always wanted. One day, Willy finds a solution to the problem.

The film is the first of three about the misadventures of two friends, Þór and Danni. Two friends working at a restaurant get fired from their jobs and after seeing an advertisement for the fishing industry of the Westman Islands, decide to go there and make some money. The islands become a perfect setting for many funny and strange situations, especially after word gets around that the two are spies from the Ministry of Fisheries.

This is the story of how Þór and Danni run a farm. They get a job running a farm for a local farmer that is going on a vacation to sweden, they of course pronouns them selfs as experts in the field of agriculture, witch they of course aren't. When they have managed to get the "hold" of things they get the brilliant idea to have a agricultural seminar for city people on the farm.

Two rock groups, one male, the other female, decide to do a combined effort to hit the road of stardom by doing a show together. As the show is getting on the road, the lead singers of the two groups have a disagreement which brings about a parting of ways, in love as in life. A historic tour of the country begins, which through the music and performances of the two groups as well as the reactions of their audiences, reveals, beneath the comedy, glimpses of today's real competition between the sexes, seen against the background of Icelandic life.

Lilla discovers that she'll be getting a new doll for christmas so she decides to throw the old one away, but once she falls asleep bad dreams start to haunt her.

Hrafn Gunnlaugsson who put the Icelandic film industry on the world map in the seventies with films set in modern Iceland and the Viking age - here takes on the documentary form in a way only a feature film director could. Giving his imagination full scope, the director creates image of an alternative future - presents a diffrent view of the capital, Reykjavik, and questions accepted ideas about his country, Iceland.

Magnús is a 45-year-old lawyer, whose routine is upset by the personal news that he is suffering from cancer. This causes Magnús to stop and think about himself, his life and his family. If his life is going to end sooner than he expected, he wants to know how much it's been worth to him. Has life been worth living? Is it worth fighting for; is it worth a struggle against death? He takes a look at his family, a group of ordinary people, who are the colourful heroes of everyday life, struggling along in a world far removed from the world of high finance, power politics and international intrigues, but yet to them their lives are lives of high adventure. Those adventures, from the sublime to the ridiculous, form the storyline of the film, told against the background of Magnús' dilemma.

Rokk í Reykjavík (Rock in Reykjavik) gives a thorough overview of the powerful and expanding rock scene in Iceland. Most of the film consists of performances by a wide variety of rock-groups in various clubs in Reykjavik in 1981-82. There are also interviews with members of the groups representing different views on such features of the rock scene as sex, drugs and politics. 19 groups appear in the film.

Devil's Island is a bitter sweet tale of Iceland in the fifties. Life is rough in Reykjavik's post-war slum of Camp Thule, where the abandoned US military barracks have been turned into makeshift homes. Struggling wives and their hard-working husbands try to make ends meet. The younger generation dreams of dollars, Rock'n'Roll and the American way of life. To celebrate or to drown their misery - they're never short of a good reason to booze. Devil's Island vividly depicts the everyday life of a wacky family, their neighbours and friends and shows how some of their dreams come true and others don't.

A Japanese businessman travels to Iceland and has a series of misadventures while venturing to a remote area to perform a traditional burial ritual where his parents died several years back.

Löggulíf is the third movie in the "-life" trilogy of knockabout comedies about the cheeky lads Thor and Danni. The others are New Life and Pastoral Life.

Marko Röhr's film crew takes the viewer to Europe's last unexplored area: Iceland's unique underwater world. We explore the geysers of boiling waters and the crystal clear lakes off the coast of Iceland. We dive under the icebergs, into the tears between the continental plates and into the deep caves.

The widow has inherited half of the farm, and is in league with a businessman from the village, who wants to buy the farm. Her purpose is to get her in-laws to sell her their share, and she is prepared to use any means to gain her ends. But soon she finds herself threatened by unknown persons or forces in the menacing winter landscape, to the point where her life is at stake.

This Icelandic tale, loosely based on the real-life experiences of director Fridrik Fridriksson tells the saga of a boyhood spent in Iceland in the 1960s.

An elderly couple leave their retirement home to make one last journey back to their home in the Western Fjords.

A little girl "kidnaps" her half-sister in order to get the attention of her father who left her mother years ago for another woman (who gave birth to her half-sister)