Magnús Ólafsson

Ingaló is helping her father on his small fishing boat, but he's an obstinate character and relations between them are tense. After a dance in the village which ends in a fight between the local people and crew of Matthildur ÍS 167, a visiting fishing boat, Ingaló and her younger brother leave home. Ingaló stays briefly in Reykjavík and has a short affair with Vilhjálmur, a man in his thirties. Sveinn has found a job on Matthildur and Ingaló is taken on as a cook. The fishing is poor and when the vessel breaks down it heads for home port, where the crew stays in derelict living quarters for seasonal workers. Ingaló finds out that Matthildur's owner and big wheel in town is none other than Vilhjálmur.

A student in politics, Jón, is covering for his friend from school as an assistant in the kitchen of a remotely situated home for the disabled for one weekend. Strange working procedures at the home come to Jón´s attention. Disputes seem to be resolved by a secret voting and Jón thinks democracy is threatened. But all is not what it seems.

The smell of leather, whiskey and cigars: Two young girlfriends fall in love with the same man, an adventurous young businessman. Missing, forged documents wreak havoc on the lives of everyone involved.

The actress is to produce a play with the local amateur group and old romantic flames are rekindled. At the same time an American army unit is making experiments with a new and powerful energy source in the vicinity, promising the community a prosperous future.

Kalli, a young boy living with his mother in the suburbs of Reykjavik, thrives in the world of movies and computer games. When he is sent to spend Christmas with his father's new family up north at an isolated farm, Kalli meets his stepsister, who he does not get along with. Soon he decides to run away, but only to be hit harder by reality and Kalli has to learn how to fight "real life" challenges while encountering imaginary and fictional creatures.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

A desperate city slicker engineer cheats his way into a small farming community, pretending to know how to save them by re-financing their slaughterhouse not knowing that he's walking into a local world war of small-town politics and general misbehaving.

Simon a mysterious man with a past returns to Iceland with the intention to end his no good life. Before he can complete his task he meets a young women DÚA who he believes might be his daughter. When she gets into trouble with the police Simon represses his death wish and decides to help her out. Together they flee to the city of Hamburg and smuggle with them what used to be the greatest export of the Vikings, an Icelandic Falcon. Their plan is to sell it to wealthy Arabs.