Under the Skin

Fishing businessman Luis Barletto is in trouble with the nationalist government, mysterious vehicles follow him. Meanwhile in Chaclacayo a gardener looks after his country house. His son José is a poor, shy and ugly boy who has lived an existence full of humiliation. On January 1, 1972, Barletto went to rest at his home in Chaclacayo. But he finds José armed with a pistol and a bloody ritual begins.

Four angry cadets have formed an inner circle in an attempt to beat the system and ward off the boredom and stifling confinement of the military academy, set off a chain of events that starts with a theft and leads to murder.

The military anti-terrorist army takes control of "Chuspi", an unknown and faraway small village, isolated by the terrorist group "Sendero Luminoso" (Shining Path). A soldier called Vitin Luna, and other young soldiers face an invisible, perhaps superior force. Their unit is commanded by a brutal lieutenant who declares the entire village guilty of treason. In the face of this crisis, Vitin must choose between blind obedience and his own conscience.

Through out six different and yet parallel stories that take place during the corrupted goverment during the 90s in Peru, Lombardi tells the moral decomposition that ran through all classes and generations of the peruvian society.

The Peruvian army captain Pantaleon Pantoja, a very serious and efficient officer, is chosen by his superiors to set up a special service of 'visitors' to satisfy the sexual needs of the soldiers posted on remote jungle outposts.

In an abandoned glass factory, a woman exploits her workers, all of them mentally ill. A gang of young assailants decides to rob said factory, but in order to achieve that, they must get one of them into the woman's house first. What they do know is that Maruja, the woman's goddaughter also lives there.

The last hours of a famous criminal named the Monster, who raped and killed a young kid. But some how, despiste all the facts and the proof against him, he seems to be innocent

Peru, early 2000s. Alfonso wants to be a writer, but he decides to work first as a journalist. He is assigned to the crime section of a newspaper, a job from which he can know the nasty guts of tabloid publications.

The linking of three characters in a kind of mutual deceit. Different points of view, attitudes and a look at relationships marked by social and cultural differences.

Based on the alleged autobiography of gay peruvian talk show host Jaime Bailey. Joaquin, a young man from the high class of Lima, deals with problems concerning his sexual identity as a child, then as a teenager pressured by his macho snobbish father, then as an independent lazy pot-smoking college student, and later as a cocaine addict in Lima and Miami.

An ambitious black comedy that tells three loosely related stories: a couple of elderly landowners, laid low by economic conditions and reformist politics, are trying to gather enough money to build themselves a marble tomb that would keep their remains in the style to which they still aspire; they give their now blind former housekeeper a pig that proves to be more trouble than it's worth as the effort to fatten it up destroys what little family the woman has; and one of the couple's tenants, who is presenter of a relentlessly optimistic radio self-help show, tries to put his own counsel into effect when he saves a young woman from suicide.

A Peruvian schoolteacher conspires with a journalist to assassinate the official responsible for her fiancé's murder.

Ramón, a psychologically unstable university student from Lima, murders his landlords, who constantly demanded the payment of the monthly rent for the hovel in which he lives. From here, remorse and the fear of being arrested will eat you inside.

Four stories taking place in Lima, Peru in the 70s.

Ella – well she has a name too – Luna (Patricia Garza), is actually about her much older husband and painter Alfredo (Paul Vega), and his choice of actions/reactions after she decides to leave him for a lover that he wasn’t aware of. Alberto has been going through a creative crisis and is under pressure to complete a series of paintings for a forthcoming show. It is nevertheless also plain to see that he’d been treating Luna, who’s also his model, largely as an object of desire and obsession – capturing with camera her every movement in the house when she’s not posing for him, and memorising her every physical feature, moles and warts included – he’d apparently counted twenty seven moles on her body. When Alfredo tracks down and entraps the lover she’d wanted to elope with (Rómulo Assereto), he’ll discover that they both have more in common than merely desiring the same woman…