Ana Risueño

After 15 years together, Ale and Alex choose an unconventional way to part ways: by hosting a party to celebrate their separation. Their unexpected decision leaves friends and family confused, forcing everyone to confront their own views on love, relationships, and new beginnings in this bittersweet, heartfelt story.

A mentally unbalanced woman captures the heart of an already-engaged admirer.

The young nobleman Calisto falls in love with Melibea, the daughter of a rich merchant. Calisto's servant Sempronio suggests they get the sorceress Celestina to further the romance. However Calisto's other servant Parmeno is suspicious of Celestina, as he knows about her tricks.

Will love compromise one man's devotion to heavy rock? That's the all-important question behind this broad comedy from Spain. Isi (Santiago Segura) and Disi (Florentino Fernandez) are two best friends who live in a lower middle-class neighborhood near Madrid. Isi and Disi aren't especially bright, but their devotion to heavy metal is complete and unquestioned, and they wouldn't be caught dead listening to a lame pop singer like, say , Joaquin Sabina. However, one day Isi sees Vane (Jaydy Michel), a beautiful girl who attends a nearby college, and immediately falls head over heels in love.

A group of friends discover an ancient book, the Necronomicon, the Book of the Deads. They discover that the book is a link between our world and the world of ancients creatures, older than our civilizations.

Luisa Llorente, an expert on taxation of old buildings, had recently gone to the Victorian mansion Valdemar to conduct an inventory of property ownership. After she mysteriously disappeared, Maximilian, president of her company, engaged the services of a private detective to help find her. But soon they will discover that it is not the first disappearance at Valdemar mansion!

Elena has ordered dinner at home, but when she opens the door, she discovers that the delivery man is Manu, the one who was her great love and whom she has not seen for too many years.

The relationship that botanist Angel establishes in his mind between plants, their stems, petals and pistils and the legs and feet of women, is the common thread of a plot that mixes sexual passion, love, greed and picaresque through a study of characters and situations.

A bus called Sueños (Dreams) links three modern-day tales set in exotic Ecuador - the equator-straddling country that calls itself "The Middle of the World." Each of these stories carries a woman's name, and each features a mysterious, alluring female outsider who bewitches men. In the first tale, a blonde woman with an unclear past arrives in a remote, male-deprived Andean town and offers piano lessons, only to become the focus of wild rumors and innuendo. In the second, a married college professor who is haunted by nightmares becomes obsessed with a beguiling woman who seems to be sending him an ominous message. In the final story, a couple vacationing at a jungle resort refuse to believe in the ancient myths of Ecuador, but are forced to confront the legendary Guasangó.

In a Copenhagen hotel, disparate lives intersect through accident or fate: A stewardess desperate for intimacy. An immigrant obsessed with revenge. A hotel manager lost in despair. A wife abandoned by her husband. A receptionist with blood on his hands. People meet in the intimacy of hotel rooms, secrets are revealed and unexpected events merge into a dramatic tale of love and longing.

Mercedes (Neus Asensi) Mariángeles (Ana Risueño) and Carmen (Miriam Diaz Aroca) need to escape something: the stress of the job, a divorce or a gray and boring existence. And all three are looking for something: a love affair in an exotic country. The destination is Tunisia, land of contrasts, from the deserts and beaches. But far from land into a paradise unprecedented journey undertaken with a group of quirky characters.

Esteban and Virginia do what they usually do together, but is it out of love or out of habit and fear of loneliness? Would daily routines work just as well with someone else? A depiction of a dead end relationship.

A gay man and a lesbian, both having reasons to try going straight, end up as a couple!

The story of Maria, a woman betrayed by his companion, David, when he steals a sack of money and flees, taking refuge in the island of Pico. Furious and determined to avenge herself, she proposes to an Police Inspector, Lucas, to chase and to find David. However, David, on a visit to the island of Faial, falls in love with a local, Marina. Maria and Lucas look for David in the Azores, they cross with Mariana in Faial and the three will discover David in his house of the mountain, at the top of the Peak. In a final confrontation, as in a Greek tragedy, Mary and David adjust the accounts that fate has traced to them.

Two men, each with serious problems with your partner, match in a Chinese restaurant. They agree on a plan, one to avenge her lover, the other to recover some diamonds that are held by his ex-wife. The complicity of the two men is shattering, and the result of the plan is far from which traced.

Passion, criminal instincts and traditions melt together in this film that shakes our understanding of crime.

Miguel believes that it's needful that he helps people(specially women) for trying to improve her lifes. He decides to begin a love story with a lame woman for helping her to overtake the happiness, but after that he begins (for the same reason)new relationships with other girls that have some problems in her lifes.The problem for him begins when he meets the love with a beutiful girl, and it will have bad consequences for all (especially for the other girls).

One morning just like any other in Madrid, two perfect strangers, Sara and Jaime, are just two more people standing on an underground platform. A man falls onto the tracks as the train pulls up. For everyone there, it´s a tragic accident. But not for Sara. Horrified, she believes she saw Jaime push the victim onto the tracks. She decides to blackmail the killer. The hunter and her prey become involved in a perverse and increasingly intimate relationship, at a distance.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

A caustic satire of many of the 'types' found in Spanish society.

Two families compete in the wine industry in this suspense drama.

Marta and Javi don't know each other and neither of them has the slightest intention of complicating their lives with anything, much less with anyone. And the idea of being parents has never crossed their minds…until now.

A young innocent man pursued for murder finds refuge with a bored married woman. Soon they become lovers.

The series shows the life of Alicia, a girl from the province who moves to Madrid to study and decides to earn an extra salary working as a babysitter for some unruly children. Next to her will live three roommates, the innocent and somewhat groggy Almudena, the American and crazy Sara and the ecologist and bohemian Rita.

A dramatic re-creation of a 2008 airplane crash in Madrid that killed 154 people.