Nomi e cognomi

Rimini, 1991. For more than a year, the uno bianca gang - they always use a white Fiat Uno - has plagued the area. Their crimes are violent, sometimes killing carabineri, and there's no particular pattern: a bank one day, a petrol station the next, extortion of a small business the next. Are they terrorists? A foreign gang? Tied to the Mafia? After a particularly bloody shootout, two detectives are assigned to start fresh: they go through the notebooks of previous investigators and they interview a few witnesses again. They find a pattern in the crimes and predict the next assault, but the special task force in Bologna is dismissive. Can they carry on alone; how far will they get?

Coliandro is an inspector serving at the Bologna police headquarters who constantly finds himself embroiled, against his will, in matters bigger than himself. But Coliandro never backs down, even though his carelessness and investigative incompetence inevitably land him in trouble.

Fighting a modern, fragmented and brutal Mafia, the Sicilian Anti-Mafia Squad seeks to crush the criminal network that holds a death grip on the region. Sophisticated surveillance helps, unless the enemy lies within.

A man's journey becomes the wonderful experience of a grandfather and his granddaughter. In the intimate evocation of Ernest Hemingway, the old man leads the little girl into the historical memory of the land where the great writer lived. Riding their bicycles and recalling a past of timeless art and culture, the two will reach the most beautiful destination: the one from which to start again.

The program, subtitled "Politics, Sex, Religion, and Death," opened with a fifteen-minute satirical monologue on current events, followed by a myriad of short sketches of grotesque and surreal comedy performed by young theater actors. The show concluded with a satirical segment on the latest news, hosted by Luttazzi.