Fassbinder

In 2019, Union Berlin was promoted to the Bundesliga. Four years later, the traditional East German club qualifies for the Champions League and achieves something that few would have thought possible. Despite all the euphoria over the triumph, the pressure to remain strong in sporting and economic terms also increased, as did the fear of falling into a conflict of identity between tradition and change. The fact that the soccer underdog from Köpenick still manages to retain its magic is primarily down to the people who work behind the scenes to keep things running smoothly and enthusiastically. Always at their side: a loyal fan base that is prepared to follow their club's path unconditionally. Hendel follows the team behind Union for almost two years, right up to their entry into the top flight, and takes a unique, particularly personal and authentic look behind the scenes of the club.

Kim has her music. Kim has her dogs. Kim has her faith. Kim struggles, every day: with anxiety, for a bit of normality, to stand on her own two feet. Kim’s mother, Lore, was deported to Auschwitz at the age of six. To this day, Lore is a DP, a displaced person. Lore has her index cards. From morning till night, she transcribes articles from the daily newspaper, archiving them in boxes and baskets. All her life, Lore has been silent: about her mother, about the hiding place where she survived, about Tom, her son, Kim’s brother, who took his own life. Kim instead wants to talk: about her childhood with Lore, about Tom, about the scarred lives they both lead.

Documentary about German town Demmin where hundreds of people commited suicide at the end of WWII.

Laika, a stray dog, was the first living being to be sent into space and thus to a certain death. A legend says that she returned to Earth as a ghost and still roams the streets of Moscow alongside her free-drifting descendants. While shooting this film, the directors little by little realised that they knew the street dogs only as part of our human world; they have never looked at humans as a part of the dogs’ world.

Director Annekatrin Hendel delivers a portrait of three generations of Brasches as a microcosm of societal tensions being carried out on a large scale — between East and West, art and politics, communism and religion, love and betrayal, utopia and self-destruction.

Documentary about poet Sascha Anderson.

With her camera in tow, filmmaker Annekatrin Hendel settles into a hotel by the sea for four weeks; with her is her old friend Ines Rastig who, after her divorce and alimony battle, is now homeless. Room service may deliver fresh fruit every day, but it’s the moment of truth for these two women as they humorously and unsparingly scrutinise practical problems after the end of a long marriage.

Ina, just released from prison, returns to the place of her childhood in search of life and meets the occasional desperado Domühl in her mother's house, which has been empty for thirty years. Hagen, a mentally handicapped resident, also ends up in this unusual landscape somewhere in the middle of nowhere south of Berlin in search of his uncle.

Hiddensee in the Baltic Sea has always been a place where people have sought freedom. This film takes us on a journey through an entire century, starting in the golden 1920s, as it assembles the island’s scenery, history, and personal stories into a fascinating portrait. Then as now, the political upheavals that have swept across Germany have left their mark.

The story of the complex man and 75-year-old writer named Paul Gratzik, who worked as a Stasi informant in the GDR and was known as a “man of extremes”. However, after spying on friends and colleagues for more than 20 years, Gratzik decided to voluntarily expose himself in the 1980s.

A pack of strays – seven dogs and one woman live in the shadows of Moscow. Hidden from the totalitarian authorities, two species share their existence on the verge of disappearance. They are straying in constant restlessness through a savage landscape where the city is cracking. Shot from the animal’s point of view, patterns of mutual dependence and taming begin to blur.

Sven Marquardt might be the most famous bouncer worldwide. But beside standing in front of the legendary techno club Berghain in Berlin, he is also a well-known and skilled photographer. Long before the Berlin Wall came down, Marquardt portrayed the subcultural East-Berlin scene. His black and white photography illustrates it as voluptuous, laid-back, dirty and existential. Even if shot by daylight, his work is permeated by darkness, ecstasy and night.

A green lawn like an unused carpet, encircled by a neat forest edge, in the background the steaming cooling towers of a coal power station – impressionistic camera images from Lusatia. They summarise in one pan how a used-up utilitarian landscape is trying to recultivate itself. Can ancient identity and language be re-discovered amid this strange artificiality? The director travelled through this region in search of her origins. She was born here, in Lusatia. This is her home and that of the smallest of all Slavic peoples: the Sorbs.

Over a period of nine years, this documentary observes the Kartoffelkombinat, a community supported agriculture co-op in Munich, on its way to becoming Germany’s largest agricultural cooperative. The efforts of the organization’s two founders have been in service of a grander vision: finding an alternative to the capitalist mode of production. But the road there is rocky, and suddenly the project is on the verge of failure.