Irm Hermann

A bank robber becomes a teacher after being released from prison and finds himself at the center of a number of crazy adventures.

Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.

Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.

A woman tries to survive the invasion of Berlin by the Soviet troops during the last days of World War II.

Lilly was a normal girl with a healthy sense of adventure. That is, until she finds a magical book, complete with a funny little dragon, "Hector". With the help of her new friend and the book, Lilly has the ability to time-travel and truly satisfy her adventure- lust!.

Having fathered an illegitimate child with his lover, Marie, feckless soldier Franz Woyzeck takes odd jobs around his small town to provide some extra money for them. One job is volunteering for experiments conducted by a local doctor, who puts Woyzeck on a diet of peas. This serves to drive him close to madness, and the discovery that Marie is involved in an affair with the local drum major exacerbates the situation. Pushed too far, Woyzeck resorts to violence.

The story of a German singer named Willie, who while working in Switzerland, falls in love with a Jewish composer named Robert, whose family is helping people to flee from the Nazis. Robert’s family is skeptical of Willie, thinking she could be a Nazi as she becomes famous for singing the song “Lili Marleen”.

Heinrich Lohse, a strict and highly efficient purchasing manager at a company bulk-orders 40 tons of mustard and enough typewriting paper for 40 years just to get discount. Heinrich's boss decides it’s time for him to retire early. Heinrich suddenly finds himself with nothing to do—except micromanage his household, much to the dismay of his wife Renate and their son Dieter

Fox, a former circus performer, wins the lottery of DM 500,000 and can now have the life and things that he has always wanted. He enters an abusive relationship with wealthy industrialist Eugen in an attempt to climb the social ladder. His desperation for love and affection soon spirals into tragedy.

Hans is a street fruit peddler and born loser. His choice of career upsets his bourgeois family, causing him to turn to drinking and violence. After recovering from a debilitating heart attack, his business finally begins to take off. However, the more he becomes a credit to his family, the more depressed he becomes.

A German serial killer preys on boys and young men during the so-called years of crisis between the wars. Based on the true story of Fritz Haarmann, aka the Butcher of Hanover and the Vampire of Hanover.

At 52, traveling salesman Wolfgang Zenker (Edgar Selge) is in old school territory: he peddles the company's classic clothing line to boutiques that cater to women over 35. When Wolfi loses his drivers license in his brand-new Mercedes but can't afford to lose the season's sales because his frustrated wife (Franziska Walser) desperately wants a new bathroom, their son's vacation plans take a back seat as Karsten (Florian Bartholomäi) is forced to making sales rounds with his father instead of celebrating his high school graduation in Spain. Also making the rounds in small town southern Germany is successful and attractive sales rival Steven Brookmüller (Roman Knizka), 33. As the men's paths cross, long-hidden secrets are revealed and things come to a hilarious head.

Frau Emma Küsters prepares dinner late one seemingly-ordinary afternoon in her seemingly-ordinary Frankfurt kitchen. She wants to add canned sausages to the stew; her irritating daughter-in-law thinks otherwise. But the point is moot: Ernst Küsters has not only murdered the personnel director at the soap factory where he's employed but succeeded that by committing suicide.

Small-time pimp Franz is torn between his mistress and Bruno, the gangster sent after him by a shady crime syndicate he has refused to join.

A group of young slackers spend most of their time hanging out in front of a Munich apartment building. When a Greek immigrant named Jorgos moves in, however, their aimless lives are shaken up. Soon, new tensions arise both within the group and with Jorgos.

This German political drama from iconoclastic filmmaker Herbert Achternbusch takes a slightly askew look at neo-Nazis and the Holocaust. His non-story (a typical trait of Achternbusch films) is divided into three parts. The first introduces Hades, an eccentric half-Jewish coffin maker. Also introduced are the women in his life. The second part depicts different scenes from the city's Jewish ghetto. Included are disturbing film clips from Nazi propaganda footage that shows the naked corpses of starved Jews piled up in the streets with the insinuation that the heartless relatives of the dead would unceremoniously toss them out when they expired. In the third part, Hades is buried at sea. In between, neo-Nazis march unopposed in Munich, Hades battles skinheads, and Hades' shop is repeatedly vandalized. A scene where Hades is fascinated with death is also seen.

In no less than 180 minutes the film showed frenzied dashes of wild colors and idyllic natural images, of wonderful music and powerful lyricism, which, among others was flawlessly recited by star actors such as Corinna Harfouch, Angela Winkler and Ulrich Matthes. The work treats of the consciousness-defining echoing thunder of modern rock music, of the rock inscriptions of the ancient Egyptians, of the Merseburg magic spells, the author’s childhood impressions, in the latter’s homeland in the forests of the Upper Palatinate, and the ghosts of the Nazi era, who today continue to haunt us in the most vivid manner.

The eponymous party is hosted by Queenie and Burrs, long-term lovers who are rapidly growing apart.

After his release from prison, ex-convict Franz Walsch finds his way back into the Munich criminal underworld. His attentions focus upon two women, Joanna and Margarethe, as well as upon Günther, his friend who earlier shot his brother.

The final installment in Ulrike Ottinger’s Berlin Trilogy (following TICKET OF NO RETURN and FREAK ORLANDO) casts Delphine Seyrig as the nefarious Fritz Lang supervillain Dr. Mabuse, here the head of a powerful media empire that seeks to create headlines by manufacturing (and then publicly destroying) its own celebrity: the wealthy, handsome playboy Dorian Gray.

Axel Heyst is an American recluse with a dubious past living in the Dutch East Indies port of Surabaya circa 1913. Staying in a German hotel there, Heyst becomes entranced with a member of the hotel's all-female orchestra.

When 17-year-old Effi Briest marries the elderly Baron von Instetten, she moves to a small, isolated Baltic town and a house that she fears is haunted. Starved for companionship, Effi begins a friendship with Major Crampas, a charismatic womanizer.

Technical draftsman Herr R. is a dependable guy. He gets along with his colleagues although his boss wants him to go beyond technical cleanliness to problem solving. He's a dutiful husband; his wife's a social climber and pressures him to seek a promotion, but they also share sweet moments. He's a caring father, helping his son with homework. His parents visit; his mother criticizes his wife. Old schoolmates drop by, as do neighbours. Some comment on his wife's expensive tastes. His promotion may be a long shot, especially after he gives a dull and tipsy toast at an office dinner. But why would Herr R. run amok?

After having her second child, a German housewife suffers from postpartum depression before inexplicably falling into a continually misdiagnosed mental state, befuddling her relatives.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

A team of inspectors investigates murders in and around the small Upper Bavarian town of Rosenheim, and they still have plenty of time to see idyllic landscapes and luxurious pre-alpine villas and enjoy sumptuous Bavarian fare with beer.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

The SOKO Köln investigates the cathedral city with humor and often with hard work. Their cases take them into a variety of environments, from the Cologne clique to the terraced housing estates on the outskirts of the city.

Follow the everyday work of a fictional police station on the Kiez of Hamburg.

The SOKO Stuttgart team investigates analytically and with sensitivity in the likeable state capital. The exciting cases of the series lead them to bizarre crime scenes and to different milieus.

The exciting stories about the cheeky chimpanzee Charly, who finds a new home with a Berlin vet family.

The unlikely police pair Verena Berthold and Otto Garber are part of a special task force investigating organized crime in Berlin. He comes from the east, she from the west of Berlin. He's a redneck, she's from a better background. This causes conflict. Over time, things start to sizzle between the two. Their team includes the agile German-Turkish Yücsel and the sluggish Georg, who, like Verena and Otto, are constantly bickering. The department manager is Lothar Reddemann. Sputnik is a former colleague of Otto's from the People's Police and is constantly coming up with new business ideas for stores and pubs where the team meets.

Series written by Christiane Sadlo about writer and journalist under the pseudonym "Inga Lindström" and her family. Characterized by impressive landscapes, all of which are shot on location in Sweden. Series has no continuous storyline, and each episode is filled with new characters.

Wolffs Revier is a German television series.

Everyone in the Bavarian village of Frühling knows her: village volunteer Katja Baumann. Whether it’s milking cows or lending a helping hand to someone in need… Katja is always there.

Balko is a German prime time television series broadcast on the private TV channel RTL. It is a police detective story with comical twists featuring two inspectors of the Dortmund police, Balko and his colleague Klaus Krapp. Balko's main characteristics are his coolness and his consistently laid-back appearance, whereas “Krappi” is a typical mama’s boy and very clumsy. The series started in 1995 and has won several television awards.

München 7 is a German police drama series from Franz Xaver Bogner. The show is set in Munich, Germany and features the fictive police station "München 7" or "Munich 7". The main characters are the "Sheriff from Marienplatz" Xaver Bartl and his new colleague Felix Kandler. München 7 is part of a series of commonly branded shows with similar themes called "Heiter bis tödlich".

Adelheid und ihre Mörder was a German comedy-drama television series broadcast between 1992 and 2006 by Norddeutscher Rundfunk. 65, 50 minute episodes in five series were produced. Directors included Ulrich Stark, Arend Agthe, Claus-Michael Rhone, Stephan Meyer and Stefan Bart Mann.

Liebling Kreuzberg was a television series on ARD, which was sent in five seasons with a total of 58 episodes the first time from 1986 to 1998. The scripts of seasons one through three and five were from Jurek, of his friend Manfred Krug wrote the role of idiosyncratic Berlin attorney Robert favorite on the body, the fourth season was written by Ulrich Plenzdorf. Director Heinz Schirk, Werner Masten led and Vera Loebner. Producing Series transmitters were the SFB, the NDR and WDR. The music of the first season was. Hans-Martin Majewski, in the later seasons of Klaus Doldinger.

Unser Lehrer Doktor Specht is a series of family author Kurt Bartsch, directors Werner Masten, Vera Loebner and Karin Hercher, shot from 1991 in Germany. The consequences had a length of 52 or 46 minutes. For subsequent repetitions of the consequences of the first season in about 45 minutes were cut. In addition, they were provided with an alternative, shorter guy, who was also designed in a different font.

In late 1920s Berlin, Franz Biberkopf is released from prison and vows to go straight. However, he soon finds himself embroiled in the city’s criminal underworld.

Doctor’s Diary is a German-Austrian medical drama, that aired for three seasons from 2008 to 2011 on RTL in a coproduction with ORF. The focus of the series is the young doctor Margarete "Gretchen“ Haase, who wants to make a career in a hospital. It was directed by Bora Dağtekin and shown from the June 23, 2008 to February 14 2011 on German television, RTL Television. In Canada, it was shown starting August 31, 2010 on Séries+ television. In France, from June 8, 2011 on TF1 television and starting March 31, 2013 on HD1 television.

Hals über Kopf is a German television series.

Die Verbrechen des Professor Capellari is a German television series.

The sprawling story of the everyday triumphs and travails of the young toolmaker Jochen and many of the people populating his world, including the woman he loves, his eccentric family, and his colleagues, with whom he bands together to improve conditions on the factory floor.

Die Stein is a German television series.

Perhaps the fun-loving Lotta takes her impulsiveness a bit too far: so far, she’s taken a detour at every turn on the path to adulthood. Now in her mid-20s, she believes she’s finally found her place in life. After passing her exam to become a geriatric nurse, she naturally wants to return to work at “Haus Abendrot.” Once again, there are cheerful, touching, and even sad encounters with the residents of the nursing home, and everyone is happy that Lotta is back. But just now, as she’s making long-term plans for her future for the first time, fate throws a wrench in her plans. Lotta discovers that a fleeting encounter at a party has not gone without “consequences.” So Lotta is suddenly faced with the big question of how much responsibility she can and wants to take on in her life.