White of the Eye

White of the Eye

No woman is safe… while he is loose!

1987 · 111 min · ★ 5.8 · Horror, Thriller

In a wealthy and isolated desert community, a sound expert is targeted as the prime suspect of a series of brutal murders of local suburban housewives who were attacked and mutilated in their homes. As he desperately tries to prove his innocence, his wife starts to uncover startling truths...

Directed by Donald Cammell · Written by Donald Cammell

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The Films of Kenneth Anger: Volume TwoThe Films of Kenneth Anger: Volume Two · 2007
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Covering the second half of Anger's career, from his legendary SCORPIO RISING to his breathtaking phantasmagoria LUCIFER RISING, Fantoma is very proud to complete the cycle with this long-awaited final volume of films by this revolutionary and groundbreaking maverick, painstakingly restored and presented on DVD for the first time anywhere in the world. Contains the films: Scorpio Rising (1964) Kustom Kar Kommandos (1965) Invocation of My Demon Brother (1969) Rabbit's Moon (1979 version) Lucifer Rising (1981)
Magick Lantern CycleMagick Lantern Cycle · 1974
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7.91974
MovieFantasyHorror
Cinematic magician, legendary provocateur, and author of Hollywood Babylon, Kenneth Anger was a unique figure in post-war American culture. His iconic short films are characterised by a mystical-symbolic visual language and phantasmagorical-sensual opulence that underscores the medium’s transgressive potential. Anger’s work fundamentally shaped the aesthetics of 1960s and 1970s subcultures, the visual lexicon of pop and music videos and queer iconography. These nine films form the basis of Anger’s reputation as one of the most influential pioneers of avant-garde film and video art. Fireworks, 1947, 14 min Puce Moment, 1949, 6 min Rabbit's Moon, 1950/1971, 16 min Eaux d'Artifice, 1953, 13 min Inauguration of the Pleasure Dome, 1954, 37 min Scorpio Rising, 1964, 28 min Kustom Kar Kommandos, 1965, 3 min Invocation of My Demon Brother, 1969, 11 min Lucifer Rising, 1981, 27 min
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Five programmes that trace a remarkable decade in British film-making through interviews with its stars and directors.
La CollectionneuseLa Collectionneuse · 1967
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6.81967
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A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men.
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In underworld terms, Chas Devlin is a 'performer,' a gangster with a talent for violence and intimidation. Turner is a reclusive rock superstar. When Chas and Turner meet, their worlds collide—and the impact is both exotic and explosive.
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Egyptian gods summon the angel Lucifer, in order to usher in a new occult age.
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Half-brothers Stefane and Antony despise their biological father, callous millionaire Charles Calvert. Because Charles refuses to share his wealth with his sons, Stefane and Antony ask hip American thrill-seeker Duffy to help steal the money they believe is their birthright. When Charles decides to move a large portion of his savings from Morocco to France, Duffy has an opportunity to stage a daring burglary attempt at sea.
The ArgumentThe Argument · 1999
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6.21999
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Sometimes viewed as a companion piece to Lucifer Rising, Cammell’s 1972 short was left incomplete by the director and rediscovered and finished by his editor and close collaborator Frank Mazzola in 1999. The result is a visually stunning piece of work, shot in Bryce Canyon by the great Vilmos Zsigmond in glorious color and Cinemascope, with Myriam Gibril as Aisha the Witch and Kendrew Lascelles as the Director shouting a philosophical dialogue amidst the echoing rock formations.
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5.91977
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A scientist creates Proteus, an organic supercomputer with artificial intelligence which becomes obsessed with human beings, and in particular the creator's wife.
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5.71996
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A bank accountant who moonlights as a high-priced call girl becomes embroiled in the lives of a money launderer, his seductive wife, and his bodyguard.
TiltTilt · 1979
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5.31979
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Tilt is the story of a precocious young girl who is a pinball wizard. Because she does not get on with her parents, Tilt is contemplating running away from home. Skipping school one day, she decides to go to to Mickey's Bar. Mickey, who is Tilt's good friend, helps her set up a gambler for a pinball game. Because the gambler is unaware of Tilt's pinball wizardry, he is easily hustled out of his money. While watching the confrontation, a young man named Neil Gallagher, who is an aspiring musician, is impressed with Tilt's ability, congratulating her after the win. Neil invites Tilt to watch him sing at a rock concert, and after his performance she believes he can become a great singer. Because Neil needs money for a demo tape of his songs, he has an idea of taking Tilt with him and having her hustle would-be gamblers.
The TouchablesThe Touchables · 1968
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3.81968
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British rock star with a love-'em-and-leave-'em reputation. The tables are turned when four cute young girls kidnap the singer. After several days of sex and degradation, the poor fellow is rescued by his friends.
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A professional car thief pulls off the heist of a lifetime when he steals a prototype supercar.
Nothing As It Seems: The Films of Nicolas RoegNothing As It Seems: The Films of Nicolas Roeg · 1982
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1982
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